Friday, May 20, 2016
What feels like a long time ago and practically a different life, I wrote this review of The Alloy of Law by Brandon Sanderson. In that review I was excited – I was reading a new Mistborn book by Sanderson, one that basically came out of nowhere and pleasantly surprised fans, and one that I was reading months before Sanderson’s rabid fan base was going to see it. It seems to have surprised Sanderson nearly as much, because a small side project, one that wasn’t planned to have sequels has grown into a fully-fledged trilogy (EDIT: I have been informed that The Alloy of Law is a stand-alone, and technically Shadows of Self is the start of the trilogy).
I’m now a few years older and a lot more overwhelmed in life. My reading tastes have evolved and grown a bit. I’ve become a bit more bitter and jaded at a time when I’ve also become more hopeful as I often intentionally pull on the blinders to the world around me and simply enjoy fatherhood.
Anyway…I’m getting a bit too self-indulgent.
After a having a copy of the sequel to The Alloy of Law, Shadows of Self, for over a year, I finally got around to reading it, in spite of just how much I wanted to immediately see a sequel 5 years ago. Anyway, for whatever reason (perhaps all the reasons?), I can’t say that I’m equally as excited after reading Shadows of Self as I was back then – I literally stayed up half the night to immediately write my review of The Allow of Law, immediately requested an interview with Sanderson (and was granted that request in short-order). Now…well, I finished reading the book a month ago and am just now reviewing it, I haven’t done an interview in years and don’t plan on doing one now. So… is this lack of enthusiasm me or the book? (It’s me, but really, that’s not what I want to dwell any more on).
Shadows of Self is an excellent follow-up to The Alloy of Law – it does everything a sequel in a fantasy
trilogy setting should do.
The scope grows, the stakes are larger, more is explained, characters grow and
history is revealed, things get dark, and for fans of Sanderson’s Cosmere, goodies abound. And Sanderson
revels in his strengths – the magic is right in the reader’s face, there are
adventures and battles, and the world of Mistborn
is further revealed. Which of course only leaves more questions to be answered.
As I said, this is a very solid second act for a trilogy not-trilogy.
This is the second book, of a second trilogy set in a secondary fantasy world (surely, this unlocks some super-secret epic fantasy magical power?) (EDIT: Note, I'm keeping this line because it's cool, even if it doesn't work since technically Shadows of Self is the first book in the trilogy). It’s pretty safe to say that if you are considering reading this book, you are already a fan of Brandon Sanderson. You are a fan of Mistborn. You probably know more about Mistborn and the Cosmere than I do. So, let’s face it, this review doesn’t matter. The only people reading it have either read the book already or will read it regardless of the words here at my little blog.
Which brings me full circle to the indulgence of self. Hell, this review jumped the shark, went off the rails, tipped back the bottle a while back. Hell, I’m just excited that for the first time in years I won’t have a backlog of reviews to write and I can’t believe that anyone is still actually reading this. Bless you for that, but really, I’m sure there’s something better that you can be doing with the time.
Anyway…read Shadows of Self – it’s a fun book that fans of Sanderson will love. And I suppose I should read the
final next book in the trilogy: The Bands
of Mourning. I should probably even ‘review’ it, though will I be able top
this piece of …
The Well of Ascension: Amazon
The Hero of Ages: Amazon
The Alloy of Law: Amazon
Shadows of Self: Amazon
The Bands of Mourning: Amazon
Tuesday, May 17, 2016
Author Jason Denzel is best known for running the Wheel of Time fansite, Dragonmount, and in 2015, he published his debut novel, Mystic. Fans who know Jason (and I’m one, going back to my days spending untold of hours on Wheel of Time message boards), probably expect Jason’s novel to be world-spanning, epic fantasy adventure in the same vein of Wheel of Time. They would be wrong.
Mystic takes a different, more focused approach. This book is an origin story, almost a prequel to a series that hasn’t been published yet. It’s not (well, mostly not) the story of an epic journey to save the world. Mystic is the story of a young woman’s (Pomella) journey, her personal struggles against a severely stratified society, and her own baggage from that society. It’s the journey of a young woman breaking barriers and learning her magic. It’s heartwarming, sweet, with a good bit of misguided teenage action. In this, it’s a classic YA book with a good bit of cross-over appeal.
Yes, there is a threat, a threat that could have dire consequences to the world. But the threat feels almost contrived – it really was a placeholder, something to pitch the growth and struggles of Pomella against. In this way, the book is more about her own internal struggles than the external struggles around.
This internal, almost small-scale focus is both the strength and weakness of Mystic. The fan base Jason is chasing after is most likely expecting a sprawling epic that stand on the shoulders of 1990s era big fat fantasy. They may bounce off of the modest page count and ‘lower stakes’ journey of a young woman. That would be unfortunate, as the story is well told, even as it shows many of the signs of an author still in development rather than full command of their skills.
I enjoyed Mystic, and I look forward to reading what Jason does with this series in the future. However, it does not really cover any new ground. That’s not (necessarily) a bad thing – not every book can or should be groundbreaking, but in a time when so many exciting things are happening in the world of SFF books, this is the sort of thing that could fall through the cracks. Or maybe it’s the sort of book that could really take off due to its accessibility. It’s hard to say.
Friday, May 13, 2016
First, I need to get this out of the way right up front: Black Wolves by Kate Elliott is one of the most extraordinary epic fantasy books I’ve ever read.
Good, because that is a very important perspective that must be understood, especially as I dive into what is undeniably a rambling, unfocused review that says little about book plot and probably says more about my own relationship with epic fantasy than anything else. Feel free to move along knowing that as I said above, Black Wolves is extraordinary and I cannot recommend it enough.
Still with me? Good.
The aspect of Black Wolves that makes it so extraordinary (get used to this word, as I will keep using it), is the scope of its ambition. Black Wolves embraces the full history of epic fantasy, converses with it, moves into interrogation, then subversion, and spits it back out as something new. And this is done in every aspect of the book.
The beauty of this approach and the shear skill and will Elliott wields to pull it all together makes for a reading experience more fulfilling than any I can recall in recent years. For one thing – I literally had no real idea of just where the story was going to go. There were too many options – I could see a vast array of possibilities, and then Elliott would go in a different direction, bring in a new reveal. It was absolute fun and entertainment – yes, as I will discuss soon, this book has a lot of serious and important things that it does, but that fun and entertainment is never lost. The reader is cheering the characters, invested and rewarded. The dark, grim nastiness of the book, it’s interrogation with more than just itself, but an entire genre and those writing it today, are present without ever losing that critical enjoyment of reading, the investiture of the fan. It’s a bloody brilliant maneuver to see succeed.
Black Wolves takes on many of the most common thematic elements of epic fantasy – colonialism, religion, role and execution of government, class system, war and its consequences, violence, gender roles, racial/ethnic tensions, inspirations from non-Western societies, and many more. Any one of these aspects could become quite a lengthy discussion, along with a few that I didn’t mention.
Many reviews and discussions of Black Wolves have (rightly so) devoted time to discussing gender, and to a lesser degree, age, aspects of the book. Black Wolves is full of strong women with agency, which is becoming much more of the standard to achieve rather than an exception to the state of genre, so I won’t focus on that too much (others have already done this and much better than I can anyway). The aspect that I enjoyed and felt was more fresh was the inclusion and focus on older characters. An aging, retired spy/soldier and a Princess who has grown into a commanding role in a corps of specialized soldiers who bond with and fly giant eagles (which, is really cool in of and by itself). It’s rare for older characters to play more than an aging sage, mentor, monarch, etc. – and when they do, it’s very often that they will be killed off early in the series. So, it’s refreshing that arguably the two most important characters in Black Wolves are long past their youth. And I would certainly speculate that it takes an author with a long history in the genre to make these characters work so well.
It’s also nice to see that every single character in this book has its flaws – there simply isn’t anything universally likeable or unlikeable about any of them. That is a difficult balance to pull off. But, I’m not going to go into any detail of this beyond this mention that characters a fully rounded people and never an encyclopedia entry.
As I’ve matured in my own reading journey through the years, I’ve become far less focused on battles, world-building, and other such details of fantasy books. Often what really gets me excited is fully developed political maneuvering and all of the unpredictability that come from a multitude of intelligent, motivated people all working to further their own interests within and beyond the constraints the world places on them. In Black Wolves we have all that through a King, his wives, his sons and daughters, and a few other, more mysterious groups. Throw in the cultural/colonial appropriation and re-write of history and things get very interesting indeed. As I said above, this creates a mystery and unpredictability of the narrative that keeps tensions high, even as the book drags a bit in the middle.
And this brings us to perhaps one of the most interesting aspects of Black Wolves, one that occurred to me much more in retrospect than while I was too busy simply enjoying the book: change. Cultural change to be sure, but Black Wolves is more than just an epic fantasy thriller wrapped around a period of monumental cultural change. To a degree (in my opinion, a large degree), it’s a meta commentary on the cultural change that the entire SFF field is going through. And it’s brutally unapologetic in this interrogation as it revels the change of today and those to come. Change is messy: it’s messy in Black Wolves, I suspect it’ll get messier in the sequels to come, and cultural wars facing genre today, while overall moving things into a much better place, are too often cruel, disheartening, disgusting, tortuous, as they leave countless casualties in their wake. Black Wolves is an answer of perseverance to all that. As I’ve hinted at above, it takes an author who has been too often on the receiving end of a brutal patriarchy for her entire career to seize the opportunity of this time and celebrate the possibilities of the future, all the while shouting ‘Fuck You’ to the haters. Bloody brilliant I say.
As I have now repeated said, Black Wolves is an extraordinary epic fantasy that can be enjoyed on many different levels. One does not have to see the meta interrogation of genre if one doesn’t want to – it can be enjoyed as a great, fun book to read. And, one can enjoy it for other reasons than I focused on in this review. This book is the real deal and a shining example of what can be done. Simply put, the best thing I can say in this review is: READ IT NOW!
And I figure I should get out a few final details that some may find important and/or helpful. Black Wolves is the first book in a planned trilogy. It is also set in the same world, though many years after the events of the Crossroads Trilogy. Black Wolves is the first book by Elliott that I’ve read (and it certainly won’t be the last), so it can easily be enjoyed with no knowledge from the first series, though I predict that knowledge from that series may enhance some aspects of one’s enjoyment. Anyway, do not let this book pass you by.
Spirit Gate: Amazon
Shadow Gate: Amazon
Traitors Gate: Amazon
Black Wolves Trilogy
Black Wolves: Amazon
Wednesday, May 04, 2016
The Builders by Daniel Polansky is at its basic, a novella about a bad joke. No, I won’t give you the punchline or even tell you what the joke is – knowing that it’s there, you’ll figure it out. And the suggestion that book is about a bad joke is in no way my saying that the book is a bad book – it’s quite the opposite, but it does help frame the story. Appreciation of just where this book comes from makes it all the more enjoyable, as for example, a Quentin Tarantino movie is.
“Revenge is a dish best served cold”
The Builders begins with this idea at its core, and the story is very much full of references not only to revenge tales, but also to variations of small teams at war and/or criminal gangs on a mission. I will not list them – they are legion – and I suspect many a reader will come up with their own, and those may or may not align with the ideas of Polansky as he wrote it all.
The mysterious Captain begins the story by recruiting his team, or more correctly, getting the old gang back together for one final mission to redress their last failed effort. We know one of the crew was a traitor, of course we do not know who. We can only suspect that it’s all only the beginning.
The Captain’s crew is a mixed group of the most unlikable sort – assassins, artillery, demolitions, snipers, etc. – but one and all, they are killers. Some of them get along, some hate everyone, the Captain holds them together, and for all that it may only be due to the blood they have spilled together. Or that the Captain is the meanest, most dangerous of them all.
And I suppose that I should mention that all the characters are anthropogenic animals whose personalities, instincts, and deadliness often correspond with their species. The mysterious, deadly Captain who all fear – he’s a mouse. His crew has a weasel, badger, rat, mole, salamander, owl, and possum. One of them may be French. They are up against the likes of an ermine, armadillo, cat, snake, fox, skunk, and legions of rats.
Personalities may be large, but the prose is minimal, dark, and dripping in morbid, gallows humor. There is bombastic boasting, dark grumbling, and the flash of knives in the dark. The final, suicide mission is told, blood and gore abound, betrayal, victory, and death. Who lives, who dies? Does it mean anything? Was it cold enough? Was it worth it…was it worth anything?
Who has the final laugh?
Will it be you dear reader, will you get the joke?
The Builders: Amazon
Tuesday, April 26, 2016
Lian Hearn returns to a world of medieval Japan with a new series, The Tale of Shikanoko, set in the world of her earlier Otori series. Emperor of the Eight Islands introduces this new series, as it explores the great warrior tales of ancient Japan.
I have not read any of Lian Hearn’s previous books, though the Otori series has been on my shelf for years waiting for me to come around. During my recent trip to Japan, I spent some time in Northern Honshu in the region of the Great Tohoku earthquake and tsunami, which is the same region in Japan where Hearn drew inspiration for this series in the immediate aftermath of the tsunami. This in combination with my having wanted to read Hearn’s books for years, made it an easy choice for me to begin with this book.
The Tale of Shikanoko is told in what feels like a very Japanese writing style – elegant, poetic, and minimalist. Which is to say, a style that I am not very used to. At first it felt very wooden, more like a ledger account than a story, lacking emotion and intimacy. However, as I grew used to the style I realized that this wasn’t the case. The minimalism of the story doesn’t lack the intimacy that I was looking for – it was just more subtle and shown a bit differently. By the end of book I had not only learned to appreciate the style of the story, but I can see how the approach makes emotional punches that much more effective.
This is a story of an older time – a feudal Japanese world, a time of divine emperors, magic and mysticism where the spirits of the land and those of people are much closer. A time when the world was a smaller place, and humans were a smaller presence. It is a time before (perhaps just before?) the arrival of temples of Buddhism and where the politics and rivals of the elite dominate everything.
In this, The Tale of Shikanoko is not just a great example of Asian-inspired medieval fantasy, but it’s a bridge for those deeply attached to fantasy inspired by medieval Britain and surrounding environs. The parallels are rather striking – a deep mystical tradition of living close the spirits of the land that is threatened by the arrival of a religion from abroad, and a feudal society dominated by the elite where rivals backed by traditions from abroad are at war. At the heart of this tale is a young man connected to the spirit of a great stag. It’s still early in the series to know just where it will end, but I think it’s not a stretch to believe that this young man is bound for some form of greatness, and quite likely, a tragic end. Before reading this book, I had never realized how the Arthurian traditions of Britain so closely parallel the warrior tales of Japan. This of course will lead to the inevitable decrees that The Tale of Shikanoko is the Japanese King Arthur, which is a disservice to both in spite of the very real parallels.
But it really misses the point for me to frame this story in terms of similarities to ‘Western’ traditions and that is not my intent. Merely an observation that I came to time and again while reading.
These are human tales – universal tales of power and love, betrayal and victory, loss and change. It’s a coming of age story, I believe it will become a story of revenge. A story of love, hate, betrayal, and everything in between.
Emperor of the Eight Islands is the first book in this series of four, all of which will be published in 2016. It is the opening, the origin story, the telling of how the stones are placed before the real game begins. It is the first quarter of a whole rather than an independent work, and as appropriate for the minimalist prose, it weighs in at only 270 pages. In many ways I’ve reviewed this book as if I know what’s ahead, which is untrue. I have not read the others in this series, though I now look forward to doing so. It is a universal tale, one that we’ve heard before, though the details are different. Of course most universal tales are tales of change, so what changes are in store?
As I said above, I look forward to finding out.
Tales of Shikanoko
Emperor of the Eight Islands: Amazon
Autumn Princess Dragon Child: Amazon
Lord of the Darkwood: Amazon
The Tengu’s Game of Go: Amazon
Monday, April 25, 2016
It’s a word that I initially wanted to avoid at all costs for this review as I suspect that it’s probably used in just about every review of Swords and Scoundrels by Julia Knight. But, the more I thought about it, I came to conclude that it’s a word that should be fully embraced.
Swashbuckling – it just roles off the tongue. It’s fun to say. It’s one of those words.
So…let’s take a look at what it really means to swashbuckle and be a swashbuckler.
Swashbuckler: a swaggering swordsman (swordswoman), soldier, or adventurer; daredevil
Well, yes, this covers the 2 main characters (a sister and brother duo) in Swords and Scoundrels. It covers it really well, each having different aspects of a swashbuckler. But, it’s really this definition below that I think captures the book.
[to] Swashbuckle: engage in daring and romantic adventures with ostentatious bravado or flamboyance.
That definition above is Swords and Scoundrels in a nutshell, though with some very important caveats. As I said, the book is about a sister/brother duo, each embodying different swashbuckling aspects in different ways – one traditionally flamboyant and one a fair bit darker, though no less a swashbuckler for that darkness. It’s the duality in many ways that has brings more to Swords and Scoundrels than the traditional swashbuckling adventure, offering swashbuckling commentary and even subversion of swashbuckling. Throw in a fantasy setting, large-scale clockworks, a magician or two, and nice bit of populism to add depth, and Swords and Scoundrels is the perfect swashbuckling tale. And as the book is the first in the Duelist Trilogy, there are 2 more presumably equally swashbuckling adventures to follow – excellent!
The Duelist Trilogy
Swords and Scoundrels: Amazon
Legends and Liars: Amazon
Warlords and Wastrels: Amazon
Note, this review joyfully uses a variation of swashbuckle 15 times!
Wednesday, April 20, 2016
Updraft by Fran Wilde was released with a fair bit of critical fan-fair in 2015 and I read it a few months post-release based largely on that the good word of many of those I follow in the blogging world. My thoughts on the book are somewhat mixed, though I believe that to be largely a result of relatively high expectations I had from reading other reactions.
In short, I liked the book, I really enjoyed the turns the plot takes, a few of the surprises that are thrown about, and the more political machinations. Where I struggled a bit is with the whole flying thing and the general weirdness of the world.
It’s not that I don’t like a good, weird world of fantasy, it’s just that I was never completely sold on it. I’ve seen the comparisons to this book and worlds created by the likes of China Miéville and I just can’t take things that far. Yes, Miéville creates some very weird worlds, but those creations aren’t questioned in my reading of them, just marveled at. And the very weirdness of those creations usually serves an important point in the thematic goals of the writing. It’s not Wilde doesn’t do these things with her world, it’s just that it didn’t completely work for me. I understand that keeping the origins of these mysteries is key, and I also get that this is fantasy, so fantastic and unexplainable things are around. But it still didn’t gel the way I would have like to see.
However, I don’t want to dwell on these, as they didn’t really bother me all that much. I did like the book. I am looking forward to reading the sequel. And I’m happy to recommend the book to readers at the blog here. Updraft is a coming-of-age story, it is the story of a child seeking information about a parent, there are secrets, and what I enjoyed most is that it’s a story about a moment of upheaval in a society that can and will likely end in a very different place. Plus, living bone towers and people flying around way above a distant, fog-covered ground – it might not have completely worked for me, but is still sounds pretty awesome.
Updraft is the first novel in a planned trilogy in the Bone Universe. The second novel, Cloudbound is forthcoming in September, 2016.
Monday, March 21, 2016
The Red by Linda Nagata is a fun, action-packed take on near-future military science fiction. And it’s best that you go into it with as little advance knowledge as possible (as I did). So, while this isn’t going to be a long review by any means, if that’s the approach that you would want to take, know that it’s a book that I very much enjoyed and enthusiastically recommend that you read, but you shouldn’t read what I have to say below.
Still with me?
OK, what I really like about The Red is that it ambushes the unsuspecting reader. The book starts out as a fairly typical, near-future military science fiction book. It has a bit of mechanized armor, some cool cyber-integration, and it has a lot of fair bit of deeper messaging about the dangers of a military-industrial complex where the private billionaires have taken all decision making related to war from the people, important discussion on the toll all this takes on soldiers with some drug addiction thrown in, and some interesting ideas about criminal-justice, consequences and such. There’s also a nice bit of romance where an old love comes in conflict with all the complications of life and military. Plus it throws in a good bit of terrifying Texas independence crap (note, I was born and raised in Texas, but managed to escape nearly 20 years ago).
All of that makes for a great, fun book that has just enough message to make it extra interesting.
But The Red throws in a big twist. The protagonist apparently has some really accurate instincts that protect him and the soldiers around him. So much that there are ‘jokes’ about it being messages from God. We eventually learn that this instinct is a message from the outside, but it appears to be coming from some form of AI that lives in the internet and can access the soldier through his integrated skullcap, and the top minds in the military have no idea how this is happening. Now an AI itself isn’t such a different thing in military science fiction, even when combined with all the cool stuff above. But what I really enjoy about this particular AI is that it appears to be a marketing program that has ‘evolved’ and that the goal seems to be about improving things and people’s lives. Because, after all, happy, successful people spend more money. This makes for a really cool contrast to cynicism of everything else going on in the book and makes a great read into a truly memorable book.
The Red is the first book in a trilogy, so things don’t move all that far, and I fully expect that there are more twists to come in the future books and resolutions are not exactly what one would expect – that’s called good writing, and after reading The Red, it’s what I would expect to continue in to the other books of the trilogy.
Anyway, to bring this around full circle, The Red is a great book, the rest of the trilogy is out there and it’s criminal that I haven’t read them yet. So, both of us need to get reading.
The Red Trilogy
The Red: Amazon
The Trials: AmazonGoing Dark: Amazon
Wednesday, February 03, 2016
10 years ago I uploaded the first post to this blog (please don’t judge me by the quality of my first post J). Those that know me in real life would not consider me particularly introspective or such (my wife would laugh at the concept), but those who have read this blog over the years have seen a different side of me. And as one may expect from a blog post about a blog’s anniversary there’s a fair bit of introspection (or self wankery?) below. Read as you will, but at least let me say that it’s been a wild ride for 10 years and I have no plans to stop anytime soon.
This blog began rather simply – as a place to throw up a few attempts I had made at writing reviews. I had been active on a few forums (mostly Wheel of Time forums – remember wotmania?) and people actually seemed to care what I thought of books I was reading. The format of wotmania was rather terrible, so I threw my fledgling reviews up on a blog as a repository of sorts and because blogs seemed be gaining popularity in genre circles and even drawing attention away from forums and the like. I never actually expected people would read that blog, so I was quite surprised to find that people were – I was even more surprised when I learned that some of the people commenting on the blog worked for publishers. Eventually I worked up some courage to ask for a review copy of a book – and then I discovered the key to blog happiness – free books, or at least a way to finally address my book buying habit and cut that annual expense by several hundred dollars.
OK, it’s not really about the free books and it never was, though I’d be lying if I pretended it hasn’t been a factor. It’s pretty cool to get books early. It was really cool to be in on the early trend of blogs. Did you know I was the first blogger to interview Patrick Rothfuss – he was completely unheard of and the publisher was trying hard to get his name out there (this was for another forum I was a part of and it seems to be lost to the intranets junkyard). Anyway, I’m indulging the wankery, so let’s move on.
What I really want to say with all this has little to do with the opportunities that this blog has afforded me or even the hundreds (thousands?) of books I’ve received over the years. I want to talk about how writing this blog has been an agent of change for me. I’ve said many times over the years that the reviews I write are really for me, and for the most part that’s actually true. The majority of my reviews are a conversation that I’m having with myself. And many of them are full of obscure references and jokes that only my warped sense of humor would find funny or even recognize as a joke. And through all of those conversations with myself, with other reviewers, with authors, with industry people, and with the multitude of fans I’ve had the opportunity to interact with, I’ve grown as a person.
Let’s face it, my life is an excellent example of cis-gendered, white male, privilege. 10 years ago I would have joyfully informed you how I was not racist or sexist and that I’m completely ‘colorblind’ and ‘genderblind’ in my selection of books to read. And the fact that 90% of the books I was reading were written by white men would have been written off with one excuse or another. Over the years I have become aware of this. Informed. I now strive to recognize the unconscious sexism and racism buried within me that’s been fed to me by society my entire life. I actively seek out diversity. I will look at the books I’ve read and say ‘gee, that’s 3 book in a row written by men, I need to read a few written by women’ or ‘when’s the last time you read a book written by a non-western writer, you need to do something about that’. Am I perfect? No, absolutely not. I have not achieved parity in this or even what is probably a reasonable balance. But I do continue to strive. Last year I think about 50% of the books I read were written by women, though I’d guess that only about 20% were written by people of color, non-western writers, or other disproportionally ‘overlooked’ peoples. So, there’s a lot of room for future growth.
But, what’s really making the difference for me, is that this all goes beyond reading and beyond the blog. Because in the real world I have a job where I interact with people and even supervise a few. In the real world I am a family man with an 8-year old son and a 5-year old daughter. I am more aware of the nasty racist and sexist messages society is trying to engrain in my children. I am aware of some of the ‘extra’ challenges faced by the young women I supervise. I am more aware of the challenges my wife faces as a research scientist surrounded by men who have the ‘freedom’ to work 80 hour weeks.
And I use this awareness. I’m the father who seeks out children’s books about girls and minorities. I’m the father browsing feminist book recommendations for children. Yes, I do this to help my daughter. But I don’t let my son off the hook – I read those books with him too. Books about girls are just as cool as books about boys. I’m the father who starts the conversation with my son about how Rey is my favorite character in the new Star Wars and how I admire how Finn makes very difficult decisions and comes around to make the right decisions in the end. And these things work – before such conversations he would talk about Han and Kylo Ren and such. But now, he talks about how Rey is his favorite too. I seek out ‘dolls’ for my daughter to play with that are engineers and scientists. I actively try to break societal expectations and show my children that it’s no accident. These are only a few examples of many that I can point to, but the point of all of this is that it began in a very different place with very different ideas and expectations 10 years ago with the start of yet another blog in yet another corner of an exponentially growing internet.
So, it has been a journey, a really spectacular journey. Maybe even a hero’s journey (OK, that’s way too far, but maybe you see the kernel buried in that analogy). I am thankful for journey and grateful that it has helped me improve as a human being.
And the journey will continue. I have no intention of stopping blogging anytime soon.
And be excellent to each other!
Posted by Neth at 2/03/2016 08:00:00 AM
Monday, January 18, 2016
Last November I visited Asia for the first time, specifically Japan. From the moment that I learned I would be going to Japan, I began to look more and more forward to it. One of the things I wanted to do in preparation was read a couple of SFF books from Japan. Not just the big stuff by the likes of Murakami but something that was maybe a bit more authentic, and even pulp-ish. So I turned to the specialty publishing house of Haikasoru and browsed their catalog for interesting sounding books. Of course I found many, but had to limit to a couple of choices.
One of those choices was MM9 (Monster Magnitude 9) by Hiroshi Yamamoto. I chose it because it’s more or less contemporary, plus obviously from the same lineage as Godzilla and just sounded fun. MM9 tells a series of related stories (think pulp fiction here) of a special unit called the Meteorological Agency Monsterological Measures Department (MMD) as they protect Japan from the growing threat of natural disasters in the form of giant monsters, or kaiju. Of course there’s a grand conspiracy at foot.
As I said above, this is pulp fiction – it feels as if it were a series of episodic short stories that were brought together. It also feels snarky – this may be a translation issue, but I really think that these stories don’t take themselves entirely seriously. It’s especially interesting (or funny) how so much emphasis is given to ‘rating’ the size of the monsters and then gifting them with a name (nice and corny – names like ‘Princess’, ‘Megadrake’, and ‘Seacloud’). And it really does fascinate me to wonder if it’s something lost in translation, that the book is truly snarky, or if like the first, this is an aspect of Japanese pop culture that just feels snarky to us in the USA.
MM9 has all of the campy fun of good pulp fiction and it provided exactly what I was looking for. Something a bit different than I usually read as well as a different sort of perspective of Japan in advance of my trip. And yes, it did give me some interesting perspective that I wasn’t going to find in the Lonely Planet guides. Specifically some ideas on the general economic malaise of a country that has been in one recession or another for almost 20 years, and a bit of hint on just how much the pop culture in Japan leans in its unique direction (in addition to the snarky fascination I mention above). I will not even try to describe that uniqueness of the pop culture in Japan beyond an image I saw on my first evening – a man of around 40 dressed in his every day suit (much nicer than the one I own), reading a graphic novel on a bullet train while eating a quick meal and drinking a beer, with a very loud, cartoonish advertisement on the wall above him.
Anyway, MM9 was a fun book to read and just what I wanted. I certainly recommend the books of Haikasoruas a source of some great Japanese SFF.
MM9 by Hiroshi Yamamoto: Amazon
Wednesday, January 13, 2016
In a time where if you look at the posts on this blog you are just as likely to find a post explaining why I’m not posting very much because of all the @$%# life throws at me as to find an actual review or other genre-related post, it’s not all that surprising that I am reading a lot books that are simple fun. Call it escapism or whatever. But one of the most important criteria for me to choose a book is just how fun it will be. I’m certainly not looking for something that will reflect life too much (like when I bounced off Last First Snow).
Anyway, one series that I love to come back to for some nice, simple fun is The Iron Druid Chronicles by Kevin Hearne. Staked is the eighth book in this series and by far the best yet. The star of the show, Atticus, has always been the driver of the series, but Hearne has been building the scope and leaning more heavily on other characters. Most notable is Atticus’ partner, Granuaile, who has been a growing presence in the books. In Staked, it feels like Hearne finally gets her voice ‘right’ and believable (rather than cringe-worthy as the early points of view were). Granuaile has been largely on her own and independent from Atticus for 2 books now, and I think that was what was really needed to bring her into her own.
Atticus’ arch-druid, Owen is also a growing and welcome presence. While not (yet?) nearly as strong as a character as Granuaile, he is an interesting foil and fun addition to the books. Plus, it looks like he’s putting roots down in my hometown of Flagstaff, Arizona, so we’ll hopefully get to see more of the area as time goes on*.
So, the fun continues. Consequences from earlier actions come due. Gods die. Vampires are staked. Action-packed, nerdy wish-fulfillment complete!
I know that Hearne is growing his career and expanding into other areas of writing (Star Wars, epic fantasy, etc.), but I’m so glad that he’s primed this series to continue and I’m hoping that we get at least 8 more!
The Iron Druid Chronicles
*Kevin, if you’re reading this, there’s a nice new independent bookstore in Flagstaff –Barefoot Cowgirl Books. I’m sure they’d love to have you for a signing!
Monday, January 11, 2016
Some background information that you probably won’t care about:
A small sample of those hundreds
(thousands?) of books waiting to be
I’ve seen a fair bit of buzz around the books of Jason M. Hough, particularly his first trilogy (The Dire Earth Cycle) which is a form of military science fiction that I’ve just never found myself in the mood for, even though I have full trilogy collecting dust on a bookcase. Anyway, I had that privilege to meet Jason when he visited Arizona last year and converse over a beer or two (I’m still rather unhappy that I had forgotten his books to get them signed). So, I will be completely honest, I read his book because we had beers together – yes, I had copies of his books and yes, they seemed like fun books to read. But the distinguishing feature that made me read his book over the hundreds of others I have lying around my office was that I met him in person and enjoyed our conversations. And it didn’t hurt that in an earlier conversation that I had with Brian Staveley, Brian had very positive things to say about Zero World. Yes, book tours matter. Yes, there are sometimes ‘perks’ to being a blogger. And yes, I hope to meet Jason again, converse over more drinks, and hopefully I’ll remember to bring books for him to sign.
Zero World intrigued me initially because it sounded like a fun and interesting take on a spy thriller in a near-future science fiction world. Basically, and Asian James Bond in the future. And initially, that is exactly what Zero World is – a fun and interesting take on the spy thriller where our spy/assassin has his memory wiped after every mission. There are some interesting bits about the whole memory reset process, the moral ambiguity that comes from being a successful assassin with no memory of his actions, and of course just who is the ‘god’ voice in this assassin’s head and what are their motivations. This, and our assassin gets a physical boost in speed, strength, and healing through some nice chemical enhancements.
But, even though all of that is more than enough for its own story, it gets bigger. Before long, this near-future SF book becomes ‘portal’ SF to a parallel world, with things ending up in a near Space Opera scope, though we still see it all through our Bond-like assassin. Then we begin to see things through the eyes of another spy from the parallel world. With the broadening of the scope comes a broadening of exploration – our assassin questions his morals, his goals, his purpose. In parallel we learn to question the motivations of others, particularly those in power. The further up the proverbial tower of power, the worse things seem to be. In this respect, Zero World is a fresh take on old ideas.
But, don’t let me get too deep here, because I run the risk of skipping over the true strengths of this book. It’s the pacing – a lot of things happen fast. This is about 3 books in 1, and it works. Zero World keeps the adrenaline flowing, the mind begging to know what comes next, and it won’t let you go to sleep. This is entertainment. This is fun. And I can’t wait to see what comes next.
So, as usual, no plot summary here. And as is (sadly) becoming more and more common with my reviews, it’s rather short and doesn’t dig in as I like to do. But, in the end it doesn’t matter. In the end, a review is an opinion, and in my opinion, Zero World is great book written by a great guy.
Zero World (Amazon)
The Dire Earth Cycle
The Darwin Elevator (Amazon)
The Exodus Towers (Amazon)
The Plague Force (Amazon)