How does one review a true masterpiece? Clearly when reading and reviewing a series of books that calls itself ‘Masterworks’, this is in an important question. Ask someone who knows what they are talking about to name the 10 best classic science fiction works. The Left Hand of Darkness by Ursula K. Le Guin is a good candidate for that list (Book Depository, Powell’s Books, Indiebound). Ask someone to name the 10 best classic science fiction works by a woman author and The Left Hand of Darkness is probably number one. The Left Hand of Darkness is a true classic of science fiction and an important piece of literature. Classes are taught about this book, a simple Google search will reveal hundreds of articles of true criticism of the book, essays that discuss its place in history, study guides, book discussion outlines, etc. Where does this leave me – should I attempt to say what other people, people who know way more than I do, have already said? Should this review become a simple book report? I say no – do the Google search. You will find great, interesting and important information about The Left Hand of Darkness and Ursula K. Le Guin. What I will discuss is its relevance today, over 40 years after it was replaced. I will discuss why the young(er) fan of SFF books should read this classic that was published before they were born.
On its surface, The Left Hand of Darkness is a first contact book. The Ekumen, a seemingly utopic alliance of planets all populated by human species that have evolved or been engineered from an earlier civilization, sends a single envoy to the planet known as Winter. The story is told from multiple points of view in a journal style as the Envoy negotiates with two different nations and eventually sets out on a defining journey with one of the natives. 
The key element of The Left Hand of Darkness is that the humans of the planet Winter are asexual – or perhaps more correctly hermaphrodites – both male and female. They only enter breeding cycle one a month, where one of the two partners becomes the female equivalent and one the male equivalent – and who plays what role can vary from cycle to cycle. The key is that there are no genders among the people. Le Guin explores what a society without gender roles would be like through and apart from the perspective of the Envoy, who is male and from a gendered society and species. There is no war on Winter, but there is violence, death, murder, etc. The politics can be just a Machiavellian, but they are different, foreign to the Envoy in a very fundamental way. 
Le Guin’s exploration of a genderless society while writing in the late 1960s is an excellent piece of feminist literature. However, these explorations are subtle and not didactic. While it’s often argued that The Left Hand of Darkness is not Le Guin’s most lyrical writing, this subtle style is distinct and left me with the feeling of ‘they don’t write ‘em like they used to’ – and this is a good thing. There is a strange duality where the Envoy comes from the more utopic society, yet the genderless society of Winter has its own sense of utopia. The sense of it all is hope – hope for the future. Wrapped up in this is the equally interesting presentation of a Cold War between two nations on the planet of Winter, a Cold War on a planet where true war is unknown. Themes run deeper than feminism, hope, and the balance of superpowers and I encourage you to follow that link above to learn more. 
Note: This review was originally posted at The SF & Fantasy Masterworks Reading Project.
