Showing posts with label sword and sorcery. Show all posts
Showing posts with label sword and sorcery. Show all posts

Monday, April 25, 2016

Mini-Review: Swords and Scoundrels by Julia Knight

Swashbuckling!

It’s a word that I initially wanted to avoid at all costs for this review as I suspect that it’s probably used in just about every review of Swords and Scoundrels by Julia Knight. But, the more I thought about it, I came to conclude that it’s a word that should be fully embraced.

Swashbuckling – it just roles off the tongue. It’s fun to say. It’s one of those words.

So…let’s take a look at what it really means to swashbuckle and be a swashbuckler.

Swashbuckler: a swaggering swordsman (swordswoman), soldier, or adventurer; daredevil

Well, yes, this covers the 2 main characters (a sister and brother duo) in Swords and Scoundrels. It covers it really well, each having different aspects of a swashbuckler. But, it’s really this definition below that I think captures the book.

[to] Swashbuckle: engage in daring and romantic adventures with ostentatious bravado or flamboyance.

That definition above is Swords and Scoundrels in a nutshell, though with some very important caveats. As I said, the book is about a sister/brother duo, each embodying different swashbuckling aspects in different ways – one traditionally flamboyant and one a fair bit darker, though no less a swashbuckler for that darkness. It’s the duality in many ways that has brings more to Swords and Scoundrels than the traditional swashbuckling adventure, offering swashbuckling commentary and even subversion of swashbuckling. Throw in a fantasy setting, large-scale clockworks, a magician or two, and nice bit of populism to add depth, and Swords and Scoundrels is the perfect swashbuckling tale. And as the book is the first in the Duelist Trilogy, there are 2 more presumably equally swashbuckling adventures to follow – excellent!

Swashbuckle!


The Duelist Trilogy

Swords and Scoundrels: Amazon
Legends and Liars: Amazon
Warlords and Wastrels: Amazon


Note, this review joyfully uses a variation of swashbuckle 15 times!



Tuesday, May 08, 2012

Review: Throne of the Crescent Moon by Saladin Ahmed

Throne of the Crescent Moon by Saladin Ahmed (Indiebound, BookDepository, Amazon) is a number of things, but first and foremost, it’s a well executed sword and sorcery adventure in an excitingly realized world. It’s also a fantasy written by an Arab-American that takes its inspiration more from the traditions and mythologies of North Africa and the Middle East rather than the more common north and western European influence. It’s a fantasy that honors characters with age and experience, shows women in strength in a society with troubling views on women, presents religious characters with varying interpretations of piety, and gives fans a city of personality.

Doctor Adoulla Makhsood is the last ghul hunter in the great city of Dhamsawaat – he’s old, he’s fat and he’s ready to retire to a nice cup of tea. Raseed bas Raseed is his young, pious assistant and member of a warrior sect. Throw in Zamia, the last woman of a ‘barbarian’ band who happens to be a shapeshifter, and a few of Adoulla’s old and magically-talented colleagues and the result is a rather motley crew fighting to save the city from powerful and mysterious ancient evil.

Throne of the Crescent Moon follows a rather traditional model of sword and sorcery – a group of varied individuals band together to save their city. There are monsters of various sorts that need to be destroyed, there’s politics and fermenting revolution in the city, there is magic, and there is ancient evil to be stopped. The group has its internal differences, whether religious, age or nationality yet still work together to get the job done as each one brings an important talent to the mix. And the evil is mysterious and more powerful than any of them have faced before – as I hinted at above, it’s a near-perfect set-up for a traditional sword and sorcery adventure.

The world that Ahmed presents is clearly derived more from the lands of the Middle East and North Africa than the usual Western Europe analog. As someone who lives in the semi-arid American West and spends a lot of time in deserts, I love to see such lands portrayed in fantasy – especially when they take much of their mythological inspiration from traditions I’m less familiar with. Though Ahmed uses the lands of North Africa and the Middle East as a template to build from to great effect, he grows things into his own creation using tools such as monsters that feel different from those typically seen fantasy and the ruins of a long dead, magical civilization.

Dhamsawaat, a city of around a million people, is the jewel of the nation of Abassen, a nation that feels like a mix of ancient Egypt, Persia and Babylon with heat, deserts and a life-sustaining river built on the ruins of an ancient civilization. The journey of Adoulla and his allies is largely undertaken within the city of Dhamsawaat and Dhamsawaat is wonderfully realized – it’s huge with a walk to a different section of the city taking several hours, ‘traffic’ jams of people make it impossible to leave the city quickly, and lives of the rich and the poor are shown. The result is a presentation of Dhamsawaat with a refreshingly ‘realistic’ feel to it.

Religion is a very important part of the society created by Ahmed and the characters at the center of Throne of the Crescent Moon. The created religion draws immediate similarities to Islam, though it’s never specifically presented as a stand-in for Islam. However Ahmed shows the diversity of people and the followers of religion with differing versions of piety. Raseed is the classic pious, religious conservative who has been taught that suppressing one’s desires is key component of religious belief, which he channels into his notable battle skills. Adoulla heartily enjoys life’s pleasures such as good food and drink and has quite a sharp tongue – however, through his actions as ghul hunter and care for the wellbeing of people, Adoulla shows an equally pious belief. Other views from women and foreigners are also presented in an equally refreshing manner as everyone quotes scripture to support their views.

Ahmed fully presents this traditional and religious society, including the usual repression of women and foreigners. With so much talk lately about female character agency and how historically-based fantasy settings show repressed women and minorities simply because that is how it was perceived to be in our own world, Ahmed shows how to walk the fine line and look good doing it. Through Zamia and the alchemist Litaz, Ahmed shows women both young and old who are well-rounded, interesting and strong. Along the same lines, Throne of the Crescent Moon isn’t a (just) story about young and inexperienced kids trying to save the day – it’s more about an aged legend and his equally aged colleagues stepping up to save the day ‘one last time’ (though we of course no it won’t be the last time). It’s great to see a fantasy that truly recognizes and appreciates the experience, wisdom and cynicism of such characters.

I’ve seen reactions to Throne of the Crescent Moon that include ‘best debut of the year’ and similar. Well, it’s still early in the year, I’m terrible with absolutes, and I’m not sure I agree. However, I’m confident in saying that Throne of the Crescent Moon is one of the most promising debuts of the year and probably one of the most promising of the last several years. It’s good, it’s fun, it’s intelligent and it’s relatively short for a fantasy novel. It’s also the start of a trilogy that Ahmed has said will escalate in scope over the next two books. It looks like we’ll get to see Throne of the Crescent Moon evolve from a traditional sword and sorcery through various level of fantasy, ending as something more akin to epic fantasy. Whether that’s true or not, I look forward to the journey, and you should too.

Tuesday, December 07, 2010

Review: Swords & Dark Magic: The New Sword and Sorcery edited by Jonathan Strahan and Lou Anders

Swords & Dark Magic: The New Sword and Sorcery edited by Jonathan Strahan and Lou Anders (Book Depository, Powell’s Books, Indiebound) collects original stories from authors who were there near the beginning of sword and sorcery and from the new guys and gals, some of whom have earned reputations as the latest and greatest. As a whole the anthology succeeds with its goal: showcase Sword and Sorcery. These stories are fun and entertaining adventures often full of dark humor. They are not, nor should they be, powerful short stories that punch you in the gut and haunt your dreams – well, OK, some of these stories will punch you in the gut and then kick you in the face, spit on your back and maniacally laugh between guzzles of some horrendous, potent beverage, but I think the point comes across that this is much more of collection of entertainment than deeply symbolic stories on the human condition.

As I was reading I actually kept decent notes for once, so I have at least some comment about every story in the anthology – of course these comments reflect my reading experience and don’t really stand in as true reviews and will probably leave you wanting, but they are what they are.

Introduction

Anders and Strahan do a good job with a complete and illuminating run-down of sword and sorcery as a genre. I felt like I learned something, which is as it should be.

"Goats of Glory" - Steven Erikson

This story embraces the idea of Sword and Sorcery a bit more fully than many of the other stories in this anthology. A small group of mysterious soldiers are ambushed by a nest of nasty demons – I’ve said before that Erikson excels in the short form and this is a pretty good example of it. And nobody names characters better.


"Tides Elba: A Tale of the Black Company" - Glen Cook

This new Black Company story is one of the standouts in the anthology. It’s fun, full of dark humor and makes me want to read more of Cook.

"Bloodsport" - Gene Wolfe

As with much of Wolfe’s fiction, I’m sure I’m missing something, but in the end I found this story to be dull and forgettable.

"The Singing Spear" - James Enge

This short Morlock Ambrosious story rides firmly in the middle of the pack in regards to quality in this anthology, but in combination with his recent World Fantasy Award Nomination, it makes me want to read Enge’s novels.

"A Wizard of Wiscezan" - C.J. Cherryh

“A Wizard of Wiscezan” is one of most complete stories of this anthology. In fact, I’m pretty sure there is a novel to be had.

"A Rich Full Week" - K. J. Parker

This dark tale of the disposal of an unwanted zombie/vampire/dead guy is subtly humorous and well executed.

"A Suitable Present for a Sorcerous Puppet" - Garth Nix

At times fun and witty, but ultimately more forgettable than anything.

"Red Pearls: An Elric Story" - Michael Moorcock

As the introduction of this anthology states, no anthology about Sword and Sorcery would be complete without the presence of Michael Moorcok. This new Elric story is probably the best written of the anthology, yet it still feels as if it’s missing something – now if I could only figure exactly what that is.

"The Deification of Dal Bamore" - Tim Lebbon

This tale of misdirection surrounding the execution of a potential martyr stands out as one of the best of the anthology. Set in Echo City, it makes me very curious about Lebbon’s new book, Echo City.

"Dark Times at the Midnight Market" - Robert Silverberg

In this all-new Majipoor tale, Silverberg writes a mildly entertaining story about a down-and-out wizard trying to make a living in hard times.

"The Undefiled" - Greg Keyes

I forgot everything about this story immediately after reading it, and I think that speaks for itself.

"Hew the Tint Master" - Michael Shea  

This story of a barbarian and a house painter on a mission to save the world started out to be the best of the anthology. The writing was clever, fun and unexpected, but the tale grows bigger than a short story, looses focus, and ultimately falls flat.

"In the Stacks" - Scott Lynch

With a lot of fans anxiously awaiting the next Lynch book for several years now, this little short story gained some legs. Lynch’s take on an exam in a sorcery academy is a good reminder of why fans are eagerly awaiting that next book.

"Two Lions, A Witch, and the War-Robe" - Tanith Lee

This tale of two good Samarians who find themselves in a bit of bind is one of the more entertaining of the anthology.

"The Sea Troll's Daughter" - Caitlin R Kiernan

I learned something I didn’t know with this story – I learned that Kiernan is a geologist. Now to most people that probably doesn’t matter, but since I’m also a geologist, I found this very interesting. As a result, Kiernan’s correct use of geology in “The Sea Troll’s Daughter” stood out. The story it a good one too – I’ll be reading more of her work in the future.

"Thieves of Daring" - Bill Willingham

This was another clever and fun adventure in an anthology that seems to save its best for the end.

"The Fool Jobs" - Joe Abercrombie

I thought this one started out slow, but by the end of the story, Abercrombie’s characteristic dark humor and sense of ‘not quite you’re father’s fantasy’ adventure really takes hold, making this one of the strongest stories in the anthology and good story to end with. “The Fool Jobs” has also been selected for inclusion in The Best Sci-Fi and Fantasy of the Year: Vol. 5 anthology edited by Strahan (Book Depository, Powell’s Books, Indiebound).


Swords & Dark Magic succeeds as an anthology, though perhaps not as a great collection of stories. No single story stands out as great, and there are a couple of real duds. However, the stories in Swords & Dark Magic are hugely fun and entertaining and showcase the pulp-ish genre of Sword and Sorcery. 7.5

Tuesday, October 05, 2010

Review: Tome of the Undergates by Sam Sykes

Tome of the Undergates (Book Depository, Powell’s Books, Indiebound) is the debut novel from Sam Sykes, a relatively young writer with a rather distinctive public persona. This tome combines classic Sword & Sorcery with a bit of epic fantasy while inverting the noble band of adventurers as is the first book of the Aeon’s Gate Trilogy. It’s violent, witty, foul-mouthed, and unpleasant – and depending on one’s perception, it’s either perfect or horribly wrong.

Tome of the Undergates could read like the standard Sword and Sorcery adventure quest – there is wizard, a priestess, a shict (elf equivalent), a dragonman (troll/orc/ogre equivalent), and a talented man all following an inspirational leader. That’s where it ends because this merry band of adventures hate one another – not in the we don’t really get a long way, but in the I want you to die a brutal death as I carve out your heart with a spoon kind of way. Most of the characters are morally reprehensible, all are greatly flawed with mysterious pasts full of violence, pain and punishment, and it’s really hard to figure out how they haven’t already killed each other. Under the leadership of Lenk, who is slowly going batshit insane, the band is bonded not by noble mission or even the desire for a big paycheck – the band is bound by their own self-loathing. The only thing the hate more than each other is probably themselves, so the company, however unpleasant, is actually better than the alternative of being alone. And at least together they seem to get the chance to kill a lot.

All of this is told in the distinctive, dark wit of Sykes’ writing. It’s funny, it’s snarky, it’s sarcastic, and it’s over the top. The only thing more over the top is probably the violence – typically described in visceral detail. The violence is in your face from the beginning – not quite gratuitous, but so close it becomes semantic. Let’s be honest – in this, Tome of the Undergates is something a 14 year old boy would love. Or someone with a sick sense of humor. Or someone who wants to read an extended Dungeons & Dragons campaign. But it would be a mistake to dismiss this book simply because one of those doesn’t apply to you.

Sykes displays strong potential with his writing. Under all of the over-the-top humor and violence, there is some real talent. The adventure is one that I couldn’t help but follow – I needed to see it through. I became strangely devoted to the characters in spite of their questionable morality, rampant racism (err….speciesism?), reprehensible ideas, repeated blasphemy, and awful love stories. I wanted them to live, I wanted them to win, I wanted to see them kill some more creepy beasts. And I wanted to know more about their pasts – why are they so devoted to Lenk, why don’t the kill each other even though they really want to, why do they hate themselves, why don’t they kill themselves. And in the moments when Sykes provides glimpses into their pasts, he excels. Sykes underscores this as the real point by continuing the story well past the climactic battle with his most impressive bit of writing, particularly the section from Gariath.

Unfortunately, the writing has a few more downs than ups. This is Sykes’ first book and as a relatively young writer (only 25 at publication) his youth and inexperience show through. The pacing is off – the battles are too drawn out, a bit too clever, and the dialogue can be equally drawn out and overly clever. The points of view tend to shift both gradually and abruptly without warning or break in the text (this is one of my biggest pet peeves). Many will feel the violence is too much, the language too coarse, and the characters too nasty (in fairness, I think a good many people will consider this a positive). He keeps his characters a bit too mysterious, unrealistically so. And this nearly 500-page book could be much shorter without losing anything. But ultimately, these issues diminished in the face of a fun story.

Some books aren’t for everyone, and that is certainly the case for Tome of the Undergates. However, that doesn’t mean that it isn’t for some people – it succeeds well within its goals. It’s a book full of violence, adventurers with questionable morals, nasty creatures, with an interesting out-right inversion of the noble quest. And really, that 14 year old boy who doesn’t like books (but likes comics and/or video games) just may think this is the coolest thing ever. I liked it – with reservations – but overall I think it’s a great start for a promising young writer (and in spite of what my wife may claim, I’m no 14 year old boy and I think this book will appeal to a wider, if still limited audience). 7/10




Full Disclosure: Sam Sykes lives in the same city I do and I have met him on a few occasions, including one in which he bought me a beer and introduced me to George R.R. Martin as we gossiped about writing, publishing and blogging.

Tuesday, March 02, 2010

Ari Marmell Answers Questions Five

Ari Marmell is best known the world of Dungeons & Dragons where he is a freelance writer and has published several tie-in novels. The Conqueror’s Shadow (Book Depository, Powell’s Books, Indiebound) is his first non-tie-in novel and was released to the world last month (I enjoyed it quite a bit). He lives in Austin, TX and has several more non-tie-in novels are in the works. After reading his snarky style in The Conqueror’s Shadow I knew he’d make a good fit for a Questions Five interview.

Thanks again to Ari and enjoy…


Ari, as a Texan (well someone who lives in a Texas anyway – it’s hard to imagine someone with the name of Ari actually being Texan), I can only assume that along side your expertise in cowboy boots, horseback riding and BBQ, that you can let the world know the proper way to prepare armadillo. How do you prefer your armadillo?

AM: It’s a very specific process. You have to start with the “flat” variety—the one you find alongside every highway in Texas. (Armadillos are actually born that way in parts of the state.) The tire tread marks are really good for catching spices and flavoring. But first you have to take the flat armadillo, hang it, and beat it like a piñata, so as to shake out all the bits of broken shell, gravel, burnt rubber, and bugs. Then it’s just a question of tossing it on the grill and rubbing in whatever spices and sauces you prefer. Me, I tend to go with a mixture of jalapeno and honey mustard dressing if it was hit by a Ford or Chevy, or teriyaki if it was hit by a Honda or Toyota.

D&D had a huge impact on your childhood and you found a way to make it pay the bills in adulthood. Has your love of D&D ever spilled out into real life in a way that is less than flattering? Do tell…

AM: Well, I could mention that I proposed to my wife at a D&D game… But then, since she was already a gamer, and we surrounded by gamers, that hardly qualifies as “real life,” does it?

I got some weird looks from teachers in middle school when I chose certain project topics based on my love of D&D. I did a presentation on demons in various religions that made use of pictures copied from the first edition Monster Manual (including a rather under-dressed succubus) that got some raised eyebrows. And my father and I built an entire suit of plate armor out of poster board for a history project. (And yes, I wore it during the presentation.) But again, while perhaps geeky in the extreme, those were deliberate.

It’s actually difficult to find places where D&D “spilled out” into real life, because D&D has always been a larger part of my life than was probably good for me. An enormous number of characters and adventure ideas found their genesis during the hours, and using the brainpower, that should have been devoted to homework. It’s hard for anything to spill into areas where I’d already deliberately and liberally poured it.

If The Conqueror’s Shadow were a fortune cookie, what would its fortune be?

AM: “You will soon discover an old suit still fits better than you expected.” (Trust me, if you read the book, this actually makes a whole lot of sense.)

How would you interpret this fortune if it were your own?

AM: Well, I would hope it would mean that I’m finally going to succeed in losing some damn weight, but then I’d have to ask how likely that is considering that I’d just eaten a fortune cookie.

Why should The Conqueror’s Shadow be the next thing that everyone reads?

AM: Assuming you want an answer with a little more broad-based appeal than “So I can eat something other than Ramen for the next eight months”…

The Conqueror’s Shadow is a perfect example of what I try to do with a great deal of my fiction writing. First, I enjoy starting with some of the traditional fantasy tropes, so that people have an easy and comfortable gateway into the book and are almost certain to find stuff they enjoy—but then taking at least a few of those tropes and turning them around, or taking a sharp left turn. Basically, playing with them in ways that are far less common than the tropes themselves. I think it’s something that most fantasy fans can enjoy.

And that leads quite nicely into my other point, which is that The Conqueror’s Shadow is a fun read. It’s fast-paced, it’s very funny in some scenes while very dark in others—all of which, I certainly hope, makes it an exciting story. Different fantasy novels are written with different goals in mind; the most important, to me, is to create an overall enjoyable experience. Obviously, I’d like to make the reader think about certain concepts, or feel certain things at certain points—but at the end of the day, if the reader doesn’t want to put the book down until s/he’s read “Just one more chapter”… If the reader had a lot of fun getting to the end… That’s when I feel I’ve successfully done my job. And while I’m hardly an unbiased source, I feel like The Conqueror’s Shadow provides exactly that.

Bonus question for inclusion in The SFF Literary Pub Crawl:

Please recommend a favorite pub or similar establishment – it doesn’t have to be local to you, but that is encouraged and if you can’t limit to just one, recommend more, but try to keep it to 3 or less. And don’t forget to say why it’s so great.

AM: This is a surprisingly tricky question for me, because I’m actually not a drinker. I’ve been to a few clubs in Austin for various shows, but never actually for the sake of just hanging around and having a few drinks. (I’m more of a coffee shop guy for that sort of thing.)

So as far as a pub/club, I’d say Prague is the coolest one I’ve been to in Austin, if only because of the ambiance; it’s got a really nifty feel and aesthetic to the place.

And if I may stretch the definition to include the aforementioned coffee shop, I’ve never found any better than
It’s a Grind. It’s local to Austin, and it’s absolutely fantastic. Wonderful ambiance and people, and their blended mochas are what the gods drink when they want a special treat in place of their usual ambrosia.

Monday, March 01, 2010

Review: The Conqueror’s Shadow by Ari Marmell

A few weeks ago I was thinking about some on-line discussion or another and wondering just what sword and sorcery really means and if any of the books I tend to read really fit that definition. Now I’ve come to realize that like porn, I’ll know sword and sorcery when I see it. It was The Conqueror’s Shadow by Ari Marmell (Book Depository, Powell’s Books, Indiebound) that showed me just what sword and sorcery is – vast armies and battles, witches, warlocks, ogres, gnomes, magical weapons, enchanted armor, and some object of great magical power that opposing forces want really badly. Perhaps it’s not the perfect definition for sword and sorcery and maybe there is often much more (or much less) to it, but it’s just possible that with The Conqueror’s Shadow, Marmell shows us what sword and sorcery should be.

What happens when the evil dark lord who marches seemingly unopposed across the land, reeking havoc and terrorizing the populace, reaches his goal and fails? He doesn’t fail due to the kingdom rallying a great defensive host and it’s not because of some destined hero’s intervention. The failure is just one small oversight. One evil dark lord, Corvis Rebaine, the Terror of the East, takes a hostage and disappears – abandoning his army of man and beast and allowing the kingdom to repair and believe that they actually met and beat the threat. Corvis eventually marries his hostage, settles in an out-of-the-way village, and enjoys being a father to his two children. What threat could possibly bring this past his prime, evil dark lord (who may not be so evil after all) out of retirement?

In many ways the plot of The Conqueror’s Shadow is utterly predictable right from the start. At first it was no bother – the compelling way the story unravels was more than enough to entertain and hold my interest – then things began to be a bit annoying, but I could still shrug it off, and just when I reached the ‘oh please’ moment some nagging doubts appeared. Then the story twists – now I have to say that I still found it fairly predictable, however the twist was enough to satisfy and the overall plot serves its role well.

The Conqueror’s Shadow isn’t a particularly deep book, and it’s not meant to be. The strength of it is in the snarky, harsh, action-packed plot and its colorful characters. However, that isn’t to say that The Conqueror’s Shadow isn’t without depth – it’s just not fully realized. Corvis, the Terror of the East is actually a disenchanted former soldier, a man who saw corruption in government, its inability to actually lead, and that the real power lies in bickering corporations guilds. This bitter young man decides that he could lead much better than those currently in charge – and he is probably right. Unfortunately the only way to achieve this sort of power is to become an evil lord wielding a magical weapon, wearing intimidating armor made of ancient bones, extracting power from an enslaved demon who feeds on the souls of humanity, partnering with a cannibalistic witch, and heading an army full of horrific beasts full of bloodlust. Now take this evil lord, add a loving wife, two children who mean the world to him, a couple of decades to mature and reflect, and then put him back in that place but facing an new evil lord, in so many ways the shadow of himself. Regret and remorse abound, atonement is sought, but he’s still that same man capable of evil, no matter how good his intentions. Just what means are worth the ends? How much sacrifice can actually achieve a greater good? Is the path to hell paved with good intentions? All this is in the background, a stage wonderfully set, but unfortunately never fully utilized. Maybe it’s appropriate because there are no real answers. Maybe asking the questions is enough, but I couldn’t help but want more.

A major short coming of sword and sorcery is the great talent of its protagonists with the sword and sorcery. He (and it’s almost always a he) is too good to be beat, his special weapon unsurpassed, his magic stronger than everyone else’s – and this magic all too often becomes a very convenient crutch to lean on when story needs a way out. The Conqueror’s Shadow walks this fine line and succeeds where so many fail. Corvis is vulnerable, emotionally and physically. Corvis is long past his prime, not particularly skilled in magic (though some of his friends are) and he faces a younger evil lord that is at least his equal. It’s refreshing and works fairly well – but this is still sword and sorcery and Corvis is still that stereotypical badass who may be captured, beaten and tortured, but cannot be defeated.

It’s often wondered just what the implications of our on-line world will be. One such path those sorts of discussions often wanders down is snark. Sarcasm isn’t enough in an on-line world – you must be so blatantly obvious that subtly isn’t acceptable. Thus sarcasm becomes snark. The Conqueror’s Shadow is snarky – nearly every single exchange of dialogue is snarky – heck, the interior dialogue of characters is snarky. Often this sort of humor sours a book, growing old and tedious. The Conqueror’s Shadow manages to maintain some weird not-balance where the relentless snark doesn’t grow old, it stays fresh and fun, adding to the characters in an odd sort of not-gallows humor of hard men (and women) in hard situations. This isn’t the first example of snark infusing fiction and it won’t be the last, but is it a new trend spawned by the denizens of the intranets? Thankfully, that is a question for somewhere other than this review, but I will say again, the snark works for The Conqueror’s Shadow.

The Conqueror’s Shadow by Ari Marmell is fast and furious and full of snark – sword and sorcery at its best. Marmell cut his teeth in tie-in fiction – an oft maligned branch of the genre world. Authors of tie-in fiction are often accused of only being in it only for the money, or only looking for a way into ‘real’ fiction, but Marmell shows that he was in it simply because it’s what he loves. The Conqueror’s Shadow is welcome step from the tie-in world, bringing snarky excitement and a new voice that I’m anxious to hear more from. And while The Conqueror's Shadow stands fine on its own, there is more to come in the forthcoming sequel, The Warlord's Legacy. 7.5-8/10

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