In 2006 the
world of SFF fandom was changing. As you would expect, Fandom had already
adopted the internet, however much of it was still bound up in listserves,
forums and other early communities that would feel quite dated these days.
There were plenty of review sources online, but they still felt like simple
digital reprints of dead tree products. In 2006 blogs were coming – sure they had
been around for years already, but this was the period when it was realized
that pretty much anyone could start a blog (note, my blog was started in 2006).
This proliferation of blogs at a time when the old listeserves, forums and
other communities were still relatively vibrant created a perfect storm for
viral fan mania. Enter Scott Lynch from stage left with The Lies of Locke Lamora, a fan himself quite familiar with the
online world (my review, Indiebound, Book Depository, Amazon). The Lies of Locke Lamora was very
refreshing at the time – it felt new. Not quite gritty (or do I have to use the
term grimdark?), not quite humor, not quite epic fantasy, but all kinds of fun.
This was a merry band of thieves that that the 21st century could
get behind (ironically in a renaissance-inspired second world). It went viral,
fans everywhere embraced it, and yes there was fun internet controversy as a
one reviewer who was not a fan got a bit hyperbolic and fans exploded (even me).
*Note: if you follow some of those links back to posts and reviews
I wrote 6 and 7 years ago, please be merciful. I’ve come a long way.*
Lynch
followed in 2007 with Red Seas Under Red
Skies (my review, Indiebound, Book Depository, Amazon), which again was wildly
popular, though perhaps not as universally praised (though I found it to be
much better written). It was still clear that fans loved Lynch’s writing and he
was poised to become the next big name in genre. Fans eagerly awaited the next
book – The Republic of Thieves (Indiebound, Book Depository, Amazon) – for this
one promised to be even bigger and better. We’d finally get to meet Locke’s
long lost love and greatest rival Sabetha. Rumors were the bondsmagi would play
an even bigger role. It would be the best yet.
A year
passed and fans were still eager. Another year and they get restless, impatient
– comparisons to George RR Martin and Patrick Rothfuss are made (not favorable
comparisons, though it’s good company to be in). Rumors fly and the pitchforks
begin to come out. Then we learn the reason – Lynch has been suffering from debilitating
depression, he’s gone through a divorce and the death of close family members. People
are sympathetic, Lynch’s public announcements are widely praised and quite inspirational
– most of the pitchforks are put away. A couple more years go by, people are
still generally accepting, growing rather cynical, a few are dusting off the
pitchforks again, yet most are still eager. Now, it’s 2013. It’s been 6 years
since Red Seas Under Red Skies was
released and The Republic of Thieves exists
in print form for release on October 8.
One may
question why I’ve begun a review with a history lesson (of sorts), and my
response is that it is critical to how The
Republic of Thieves will be received by long-waiting fans. Expectations are
simultaneously high and low, yet nearly universally hopeful. In the intervening
6 years, this blogger has played all of those fan roles I reference above. I
will say this now: The Republic of
Thieves exceeded my expectations and was one hell of a good read.
Looking at
what I wrote above from a different point of view, that of Lynch himself, I can
see pressure, anxiety, more pressure, more anxiety, holy shit how did I get
myself into this… We fans only made this worse. And Lynch promised us the world
– he promised us the long anticipated reunion of Locke and Sabetha. The best
cons ever going head-to-head against each other. With bondsmagi. Then he
promised us a Shakespearean play to mirror it all. What was he thinking...no
wonder he was reduced to anxiety attacks and depression.
*Note, it’s not my intent to mock Lynch or anyone else’s anxiety
and depression in any way, and I apologize if it’s taken as such.*
The Republic of Thieves is very ambitious – it has stories in parallel to other stories,
flashbacks, romance, treachery, and Lynch basically wrote an entire
Shakespearean play in the middle of it all. This is the best of the best versus
the best of the best. It’s deadly serious yet Lynch still needed to maintain
that cavalier, mocking attitude that serves to lighten the load. It’s new
ground and it’s setting the stage for the next 4 books in the series. It also
has a major reveal, one that Locke (and his fans) simply cannot trust…or afford
not to.
And Lynch
pulls it off in grand fashion. The present of Lynch’s world mirrors the past
which mirrors the play our favorite thieves are pretending to act in. Sabetha
and Locke go head to head in a dance of cons, yet the greater dance in the
romance and seduction that underlies it all (both past and present). Who wins
the con? Who wins the seduction? Are there winners at all? Does he get the
girl? Does she get the guy? Who dies? I throw those questions out there to
entice while building up expectations to knock them down. Just as Lynch does.
Because, the most important questions may not have been asked.
Lynch’s
writing is his strongest yet, but that’s only the start as the way he
constructs The Republic of Thieves
really brings it all together. It’s the plotting, the shuffling of scenes and
the emotions of those characters we already care about. It’s Locke, Sabetha and
Jean. And those that have (and will) die.
The Republic of Thieves is one of the most highly anticipated books in the SFF world over
the last 7 years. The biggest question is whether those high expectation will
or can be met. As I’ve said in this review, in my opinion Lynch not only meets,
but exceeds those expectations. Welcome back Scott – I can’t recall the last
time I had so much fun reading a book. So…when’s the next one coming?
*yes, I’m an evil bastard too*
7 comments:
The Republic of Thieves is very ambitious – it has stories in parallel to other stories, flashbacks, romance, treachery, and Lynch basically wrote an entire Shakespearean play in the middle of it all.
I wonder if he got that last idea from Elizabeth Bear, who knows more than a little about Shakespeare.
That's a good point. I'll bet she helped him out a lot in that area.
Wow, I had no idea what the story was behind the delay between books. This was already a series I had penciled in for a catch-up in the Fall, but I think he's just moved up the list. Looking forward to it.
Absent having read the book, I'd humbly posit that Lynch got the idea of a play-within-a-play *from* Shakespeare - Hamlet, natch.
Although I had been rather hoping that Locke's personal "antic disposition" had been and gone in the opening chapters of Red Seas...
Very jealous of people who've managed to read the book. But, sigh, I think I'll wait some more...
Great review :)
Great review! I appreciate the history lesson, I discovered Lies shortly after it came out and have been an obsessed fan ever since.
I'm also one of those jerks who got to read RoT early. I'm such a bastard that I've read and reread the end like five times.
absolutely worth the wait.
In my opinion, this type of writing is exactly what slows Rothfus' publications. The countless songs and poems rothfus puts in his books takes up a considerable amount of time (I bet). Same with this play in the middle of this work. I love both of their work. And years from now when (if) these works are done, I will probably rank them above everyone else. To me, Martin doesn't have these excuses. The plots are a bit more straightforward. And the quality has been falling off of a cliff since the Red Wedding. That's why I have to prefer Abercrombie at the moment. He captures the story telling of Martin, but with less POVs that just end up boring the living crap out of me. There were times in Tolkien where I'd want to jump and skip around. Same goes for Martin. Never applies to Abercrombie. While lynch avoids that problem with getting rid of POVs, he has a similar problem in this new book because he jumps around wildly early on. He gains more control after the GBs leave to go perform the play.
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