Review: The Wheel of Time by Robert Jordan and finished by Brandon Sanderson

Note on Spoilers: Nothing in this review is what I would consider a spoiler. Plot specific details are not revealed, however larger arcs are briefly discussed.

 

Setting out to write a review for a series can be daunting. When the series is fourteen books long (not counting one prequel), published over a period of 20 years, counts millions of sales, and invokes a huge range of very passionate opinions, it is even harder to review. But in large part because of the impact that this series has had on my personally over the past 19 years, I am attempting to write this daunting review, in the process opening up personal feelings, tackling some of the controversies of the series, embracing my love for the series, it’s meaning for me, and trying to not let that blind me to its weaknesses.

  

Please humor me while go back to the beginning – not the first book in the series, The Eye of the World (Indiebound, Book Depository, Amazon), and not the prequel, New Spring, but the beginning of my relationship with The Wheel of Time. I’ve always been a reader, though in my youth my reading was dominated by the likes of Stephen King, spy thrillers from Clive Cussler and similar authors, Michael Crichton, and other popular fiction writers of the 80s and 90s. I was not what I would consider a big fantasy or science fiction reader, though I was exposed to some the concepts through King, Crichton, and even a Weis and Hickman trilogy. It was through the recommendation of a few of my cousins that I picked up the first Wheel of Time book in the fall of 1994, my freshman year of college. I devoured it. I burned up my meager student budget buying all the other books in the series that were available. Then I read them again. And again…

 

 

I begin my review of the series in this way for a few reasons. First, I think it’s critical to know that I am a fan, a fan who has been reading the series for almost 20 years, a fan who has re-read these books many times, a fan who regularly listens to the audiobooks for the series, a fan who has spent countless hours discussing these books in on-line forums, a fan who eventually started blogging about his love of SFF books as a result of the journey began on the first page of The Eye of the World. However, it’s also critical to understand the context of when the series began, for while it will in many ways be timeless, it is also very much a product when it was published. The early 1990s was a time when much of fantasy was dominated by clones of Tolkien, a time when fantasy was heroic, good versus evil, and not well balanced in such things as diversity and gender (there were plenty of exceptions, however these were the general trends). The Wheel of Time began by embracing the tropes of its time and then responding to them. However the series appears now, at the time of its beginning, it was something new.
 

 

At its core, The Wheel of Time is about a young man (Rand al’Thor) who destined to save the world and his journey to fulfill prophesy. Rand begins as a humble sheepherder in an isolated corner of a pastoral fantasy world that has many reflections of our own. Rand is ignorant of the wider world, scared and thrown in way over his head. The fellowship that flees a horrifying raid of monsters out of myth and nightmare include Rand, 2 of his boyhood friends, his nearly betrothed love, a village leader, a bard, a Gandalf-like ‘wizard’ and her warrior companion.

 

 

In this intentionally familiar beginning, Jordan begins to respond to the fantasy that has come before. Women hold a place of power in society and this is a world where the ‘original sin’ was committed at the hands of men. The characters reflect often (too often really) how adventure is nothing like it is in the stories and how heroes never go through what they do (such as sleeping in a haystack). And the points of view shift – they build slowly from a small handful in the first book, to many dozens of widely varying points of view throughout the series, though the largest focus remains on the core group that was present in the beginning. And, as tough as it is to see as such now, Jordan’s approach to epic fantasy was subtly subversive of most of the fantasy from the 1980s and earlier. It really was something new and fresh, less conservative and it did push boundaries.
 

 

One way in which The Wheel of Time played a large role in fundamentally changing epic fantasy is its length. The trilogy is sacred in fantasy, even to this day, but longer series are still quite common. Much of this is attributable to the success first attained by The Wheel of Time. And the length of the series is both one of its greatest strengths and greatest weaknesses. Through 14 books Jordan immerses the read in the world he creates. He shows the build up to an apocalyptical battle from many points of view and directions. The traditional fantasy fan who can’t get enough of such secondary worlds is rewarded by the depth of detail, the wide coverage and multitude of personalities involved. Other readers who prefer writing that is tight and focused, without a wasted world will suffer through the length. I fall in the middle, seeing and appreciating both sides. The fan craves more, more resolution, more focus on the numerous side plots. While other parts of me wish the books had received a heavy dose of editing and that the series was completed in half as many books (or even fewer).

 

 

 

With the length and breadth of the series, Jordan is arguably the first major fantasy author to suffer the tangle of multiple points of view. It is a trap that many fantasy authors have fallen into. It becomes a snowball growing as more points of view necessitate even more. Then the plot rambles through subplot after subplot and bringing it all back together is difficult in the very least. Some plots suffer through dragging on and on while others are forced into brevity that confuses matters. And the series grows longer, often lacking the resolution that fans crave. The Wheel of Time exemplifies these issues – and some fans love and defend the result to the end. Some readers never get through the middle of the series.

 

 

It’s tough to pick a bigger lightening rod than gender issues in The Wheel of Time. I’ll be honest, one of the things that first attracted me to the series was the portrayal of the female characters – they were real, they were not objects, and they mattered. Back in the early 1990s when I began this series, that felt new, different and refreshing to me. However, now 20 years older, a bit wiser, and a lot less ignorant, I see many of the problems in Jordan’s characterization of women. Let’s face it, the writing in The Wheel of Time suggests that Jordan has an unhealthy obsession with spanking, a warped perception of what makes women strong, a typically pornographic and juvenile view of lesbian sex, and an unrealized dream of having 3 girlfriends who are cool with that. There are issues where women are punished with rape and men not at all. But, there are women in leadership, there are women in combat, and women exist as much more than an object for men.

 

 

I believe that much of Jordan’s portrayal of women comes from being raised in the South where women of his generation often show the world one personality and release another behind closed doors. I also believe that much of the backlash that the series receives toward its female characters has been the result of young men having a dislike of women telling male characters what they should do. But, that doesn’t absolve the fact that there are some fascinating (and often horrific) gender implications throughout these books. Though it’s also good to remember that as terrible as some the gender implications are, these books were still a step forward when they first came out. In many ways the gender relations in The Wheel of Time reflect our society well – a mix of significant progress with clear examples of there still being a long way to go.

 

 

One of the most fascinating aspects of the series is Jordan’s interweaving of myth and legend throughout. In many ways the series is an exploration of the archetypes that exist across many societies worldwide where Jordan takes all the myths and legends of a huge number of societies and traditions and plays a giant game of ‘telephone’ with them before placing them back into his creation. Most readers will notice the most blatant examples of this (particularly with Arthurian myth), but it goes very deep to levels that only a few scholars (and really hard core fans) ever could appreciate.

 

 

Related to the underlying use of myth and legend to create his characters, Jordan also plays with the idea of prophesy and even predestination in his world. Prophesy is real, widespread, true and metaphorical in Jordan’s world. Rand knows that he is destined to both save the world and destroy it. He knows he will go insane and die. And we follow his journey toward and into insanity. We see how he falls into the trap of fulfilling prophesy because he knows he must. But we also are left wandering about what those prophesies mean – some are never fulfilled, some were fulfilled in ways that are not recognizable. And throughout I see a trickster at heart playing the reader with their preconceptions and what they know prophesy must mean.

 

 

Through 14 books Jordan touches on many other themes and ideas. Whether it be those discussed above, communications, lack of trust, posttraumatic stress disorder, or the exploration of a destined hero slowly becoming batshit insane. These books can be read on many levels that often become quite fascinating the deeper one explores, particularly in direction of myth and legend. Though in the last few years, it’s Jordan’s explorations of politics and political machinations that have become the most interesting parts of the books to me, even though they are quite often derided as being an over-written distraction.

 

 

Another positive product of the relatively large cast of key characters is that it gives almost every reader someone to relate to. I was 18 when I first began the series, so I was immediately relating to the Rand, Perrin and Mat, who were all about that age. As I’ve grown older, the older characters often hold more weight with me, with the younger seeming to be full of the flaws of youth. Few books offer such a variety of characters to relate to and it’s been fascinating to me to see how my relationships with those characters have matured over the past 20 years.

 

 

Much, much more can be said on various aspects of the series. Flawed characters, flawed writing, editing, portrayal of the ‘bad guys’, long baths and the washing of silk… But this is not the place for it, especially since I’ve already rambled on in this review nearly as badly as Jordan. Suffice to say, that these books do have a little bit of everything in them – and that’s the good and the bad.

 

 

However, I cannot close out the review before some discussion on the fate of Jordan himself. Tragically, he died of a rare blood disease before the series could be finished. The final three books were completed by Brandon Sanderson with the help of Jordan’s widow (also his editor) and his assistants. Again, much can be written on how Sanderson’s writing compares with Jordan’s and how the series finished. The series did finish according to Jordan’s wishes (which were dictated from his deathbed), but it was in Sanderson’s style – or at least the style Sanderson adopted to be consistent with the rest of The Wheel of Time, without seeming to exactly imitate Jordan’s style (which probably would have been a spectacular failure). But in general, Sanderson’s writing lacked the subtlety of Jordan’s, some of the characters were never captured quite right (particularly where humor was involved), and some the side plots suffered. However, the writing was often tighter, the pacing more consistent, and the end goal more directly achieved through both thematic and plot arcs. Some fans liked Sanderson’s approach better, and others will never forgive him for finishing the series. Again, I fall in between, but I will say that I think Sanderson handled things nobly and humbly as he succeeded in a near-impossible task. I’m glad someone finished the series and I think that Sanderson was the right choice for the job.

 

 

The characters of The Wheel of Time have been my companions for the past 20 years and I expect to revisit them regularly in the future. I’ve had a huge amount invested in these books and a large influence on my life. Through the series I’ve laughed and cried. I’ve shouted at the absurdity of things and thrown a book across the room. I’ve cringed and I’ve quietly put the books aside to compose myself. I’ve eagerly waited and waited for the next book in the series like a kid on Christmas Eve. I’ve debated, cursed, argued, and had drinks with fellow fans. For me no other set of fiction has had a bigger impact on my life. It is the best and worst of fantasy. I can only thank Jordan, Sanderson, and all of the many, many others who have worked to make this series what it is.

A Memory of Light Spoiler Reactions

For whatever reason, I’m going even further afield than usual with my ‘review’ of A Memory of Light by Robert Jordan and Brandon Sanderson (my ‘non-spoiler’ review, Indiebound, Book Depository, Amazon). This post (below the cut) is basically a point-by-point reaction to some of the events of AMOL. It’s full of spoilers and if you read them, it will tell you how the book ends and many of the happenings along the way. It’s very colloquial and informal, so comment in kind. Beware, the book is spoiled here and I’ll make no apologies to anyone who gets upset reading this post and whatever discussion follows because some spoiler is revealed. So, take a look and then share what you think. If you prefer, my non-spoiler review is here.

 

Now, let’s get to it…. 

 

1. As I’ve watched the reactions to the ‘Memories of Time’ released by Tor, I’ve had my own little version of how Team Jordan must experience the world. Yes, sometimes the reactions are spot on. But more often than not, they go way wrong. Crazy. It’s amazing to see how things go when I’m thinking the answer was so clearly obvious, but then people take it opposite direction.  
2. Talmanes in the prologue is awesome. Many have issues with what Sanderson has done with The Wheel of Time since taking on the near-impossible task of finishing the series in a way that fans can love, and some of those issues are very real, but sometimes Sanderson has improved things. Talmanes is one area. He takes a character who was cardboard and barely worth mentioning and grows him into someone likeable, humorous, subtle and heroic. It was fun reading his leading the battle of Caemlyn. Though he should have died. He should not have been healed to fight again. And I tire of the new titles that seemingly come out of nowhere – Dreadbane. Seriously, that’s terrible.
3. Androl – I like him and Pevara more and more. Obviously Sanderson does as well. I wonder how much of Androl is a reaction to reading what fans have written. The potential tactical use of gateways – we see it. Opening a gateway into a volcano to destroy trollocs, opening a gateway in front of an attacker to behind the attacker so they kill themselves. Precise use of gateways as weapons. These are cool. I wanted more. But he was ultimately mishandled. He just sort of fades away in the Last Battle. He either should have gone out with a real bang…or something. By the end he just sort of hangs on.
4. Moiraine. So, he needed her to convince Egwene to sign the Dragon’s Peace. And then again as a link with callandor. She still felt strangely absent toward the end. And why didn’t we get a Moiraine vs. Cadsuane scene.
5. Demandred. I love that he wasn’t Roedran like so many thought. I loathed the lack of subtly with which Sanderson handled it. Too much of a nod to theorists, too much of a breaking of the 4^th wall. But Shara? The set up for that could have been handled much better. Perhaps another example of Jordan being too subtle in earlier books. Perhaps an attempt for readers to be as surprised as those fighting the battles. While I like that it gave the forces of the dark an edge, it was ultimately mishandled.
6. More Demandred. He plays the big role in The Last Battle. But I’d have liked to know more earlier. What we see earlier was either wrong or painfully incomplete. Who knew that Demandred was bat-shit insane? As insane as Rand in his own way. He was always supposed to be the cold, calculating bad guy. Another place things didn’t go as well as they should have.
7. Mat. Everyone’s favorite. This won’t change. His leading of the last battle was awesome! I like how all the great captains were taken out, how the forces of the dark manipulated them. I like how it took some doing to get Mat into the leadership place he was. Only Mat could have won the battle.
8. Really, Mat and Rand in a bragging battle? As amusing as it was, it didn’t work for me. Another too big of a nod to the fans.
9. Horn of Valere. Excellent – most everyone thought Mat needed to blow it. Everyone was wrong. His ties were broken. Olver has a place. I love that Noal was a hero. That Birgitte comes back just after her death. Hawkwing and Matt don’t get along. Good stuff. Hero wolves? Oh well, don’t feel strongly one way or another.
10. Lanfear – I love that she helps Perrin. I love that she’s a wildcard. We don’t know what’s going on with her…until the very end.
11. Perrin. Good fighting, continues his growth. Awesome to see him finally let go. But really…he couldn’t kill Graendal because she’s a woman. Please. I thought we were past this. This must have been an RJ plot piece, one that should have been fixed. Though I suppose you had to have some good forsaken fighting going on.
12. Fain. Thank god he didn’t end up as the Gollum of WOT. I love that every theory I ever read on his place in the Last Battle was wrong. I actually love that all of the build-up, all of the hints of bad things, go nowhere. That Mat walks right into the mist, and kills him. Easy as pie. How wrong we all were, but so obvious in retrospect. The series needed a nice little Red Herring and Fain served well. Now, was Mat’s luck tied to the evil of Fain? The dice stopped.
13. Along those lines – it’s all over. Our three ta’veren are probably not ta’veren anymore. Does Mat still have is luck? What about everyone always falling in line with Perrin? Of course we have no answers, but it’s something to think about.
14. So many hate Egwene, even more so since Sanderson has taken the helm. While I can’t say that I always like her, I don’t agree with the hatred. The accusations of Mary Sue. Etc. She dies, she dies as she creates. The Amyrlin dies as she kills the M’hael. Nice balance. 
15. Cadsuane. I would have like to see more of her during the Last Battle. A good fight scene or two during the battle. Opportunity lost with all those wonderful toys. I did not expect her to survive. Neither did she. Amyrlin? I laughed.
16. Logain. Not the lovable leader many have made him out to be. Of course he was very nearly turned and there were consequences. But, is it a surprise that he did the right thing in the end? Cadsuane and Logain, White Tower and Black Tower. I think I’d like to see that.
17. Thank the lord that Nynaeve didn’t heal death. I was very surprised that she never got time with Lan prior to the end. That was proof enough for me that Lan wouldn’t die. Though him killing Demandred…man, Niagara Falls baby. When he stood up with Demandred’s head I thought for sure he was a hero of the horn returned. He was always one I expected to die, but thought would live (if that makes any sense).
18. Siuan dead. Expected. Actually not too saddened as it was appropriate. But I would have liked to have seen a POV from Bryne at that moment. I would have liked that decent into madness and death charge. Really, it could have been done in half a page – why not?
19. Gawyn dead, Galad almost dead. Well, Gawyn should have died a long time ago. Not sad about it. He was incredibly stupid and flawed all the way to the end. Galad – I don’t think I’m upset we never got the Rand-Galad reunion. But I sort of wish he had died as well. For a minute I was waiting for a Tam takes on Demandred moment, where Tam succeeds. It would have been a nice thematic arc to the book and appropriate end to Demandred and Tam. But Lan did fine.
20. Ituralde. I always like that guy. In my mind, clearly the best of the great captains. I wish we would have had more of him. I would have loved to see him and Matt in command together. I’m glad he lived though.
21. So, two forsaken survive. Graendal and Moghedien. What will Avi do with a forsaken lapdog. What with Seanchan do with a forsaken and damane – and one from Shara as well? Oh, those outrigger novels would have been so much fun.
22. So, just who is this old Aiel woman who has appeared twice now? She visited Aviendha in the waste and now Rand just after he seals up the DO. It appears that TAR is involved, but that’s not necessarily the case. Is this the creator?
23. Oh the ending. First, the last word was not ‘time’, but ‘ending’. I can see how that scene began it all, though it’s certainly an odd one if you step back from WOT. The hero of the world steals a horse and runs away from his 3 wives and all the other forces of good. Oh, and he has a new body – that of the bad guy. That actually sounds pretty terrible when put that way. But, it fits. It’s beautifully written and I was bawling. In retrospect I can’t help but hear the Randland stories of Elvis/Jesus/Mary/Jim Morrison/Johnny Appleseed being spotted around the world. Or, maybe he’s Tom Bombadil, traveling the world in song and making the green things greener and everyone happy and gay. That’s it, Rand was always Tom Bombadil. Yes, my sense of humor is terrible.
24. Now that I’ve read it all and finally know how it turns out. I’m incredibly torn. I want more. I want the prequels. I want those auxiliary novels with Mat and Tuon returning to Seanchan. I want more short stories and novellas. I want to read more. I don’t want it to be over. But, the end was perfect and appropriate. As much as I want all those things, I want all of The Wheel of Time to end as it did.

EDIT: Thanks to the folks over at Macmillan Audio I have an audio sample from Chapter 3 to share with (no big spoilers). I love the audiobooks and have been using them as 're-reads' for years, so give it a shot.

Review: A Memory of Light by Robert Jordan and Brandon Sanderson

Back in 1994 I caved to the recommendations of a number of m cousins and bought The Eye of the World by Robert Jordan, the first book in The Wheel of Time series (Indiebound, Book Depository, Amazon). I have always been a big reader and The Eye of the World was not my first venture into fantasy, but I still have to consider it to be my ‘gateway drug’ into the world of fantasy reading. I lost many hours reading away in my dorm room. I blew my meager budget buying up the rest of the books that were available at the time. And when I finished reading those I immediately began my first re-read of the series, the first of many, though I now do re-listens with the audiobooks. So you must realize that A Memory of Light by Robert Jordan and Brandon Sanderson, the 14^th and final book in The Wheel of Time series (Indiebound, Book Depository, Amazon), is the book I’ve looked forward to reading the most in my life. These characters have become my friends as the books bring the comfort of nostalgia. Over the years this series has led me to the internet, led me to discussing these and other books on message boards, which inspired me to start a blog, where I can interview authors, through which I’ve had the opportunity to interact with many and have dinner with Brandon Sanderson, which eventually gave me the opportunity to read the final book in the series just a little earlier than pretty much every other fan. The ending that I’ve so craved to know – I know it now. It is awesome. It does justice to the millions of words leading up to it. It is appropriate. And now I mourn, yes mourn for the end of The Wheel of Time. While I can always reread (or re-listen to) the books, the end has come. I’m just remembering the times. The series is over now. That part of my life has truly passed. At the same time I celebrate the series and all that it has brought to me, I do mourn its passing, though more often with a celebratory drink than tears.  

 

He came like the wind, like the wind touched everything, and like the wind was gone.

 

Now some of you are probably asking why I chose to begin this post as I did – this is supposed to be a review a book, no more. Well, it is more, and if you are looking for a simple review for the concluding volume of a fantasy series, you will need to look elsewhere. Few things in my life have been with me as long as this series. Few things have consumed the time and mental energy in my life as this series has. Few things have I waited for with more desire. I cannot simply review this book or even this series (though I will try) without touching on the relationship I have with it. I know that many fans will be able to relate. Others may understand without relating. Others will simply roll their eyes, not understanding at all (though I imagine they already gave up if they ever started reading this in the first place). With and through this series I have grown from teenager entering college into a husband and father, a homeowner with a mortgage, a respected contributor to my industry, and a mid-list blogger. It’s a journey that’s been shared, a journey that has reached an ending.

 

Note: I have not included what I would consider spoilers in this review. I do discuss some events and some of the advanced information that is widely available for those who look. I do discuss some of the more ‘thematic’ developments of the book. I do discuss my reaction to them. I don’t consider anything that I am writing about to be spoilers, but some fans may disagree. Consider this a warning – while most people will consider this spoiler-free, some disagree on the details. In this separate post, I blatantly throw around spoilers and my reactions to them – but this review is ‘safe’ territory.

 

OK, so let’s get to it. Did I like A Memory of Light? Do I think the series ended well? How did Sanderson do with the final volume?

 

I loved A Memory of Light. I think it ended well and appropriately. For me, I can easily say it’s the best conclusion to a fantasy series that I’ve ever read. However, the paragraphs above should put my opinion in the context it deserves – that of a crazy and dedicated fan who has been reading and rereading this series for nearly 20 years. I think that Sanderson did a wonderful and admirable job in a very difficult situation. No, he did not do things exactly the way Jordan would have – he couldn’t have, and thankfully, he didn’t try. He finished off the series as Jordan wanted – he honored what Jordan had done, he incorporated the ideas Jordan left behind and he filled in the blanks as best as he could.

 

The criticisms that some have of Sanderson’s handling of the final three Wheel of Time books will all hold up here. There are plenty of what people are terming ‘Brandonisms’. Sanderson breaks the 4^th wall several times, seemingly speaking directly to the hard-core fans and theorists of the series. His relative lack of subtly in comparison to Jordan continues. Those who criticize the way Sanderson has broken out the timeline and presented the story may become extra ornery on the issue as there is a ‘get out of jail free card’ with time itself breaking down, especially the closer one is to the bore. Some of the characters still feel off – Matt at times, Aviendha, and others. But, it’s not always a bad thing. For example, Sanderson breathes fresh air into the character of Talmanes, rounding him out and making him whole rather than a cardboard cutout. Talmanes leading the Band through the battle of Caemlyn is simply awesome, and Jordan would have never written something like that. And it’s becoming increasing clear to me that many fans over overly eager to blame Sanderson for things that most likely are almost all Jordan in their origin – just how many ‘Brandonisms’ are simply ‘WOTisms’?

 

One of my biggest criticisms of Jordan’s writing is the way he finishes off the books. Basically, there is meticulous build-up of events, carefully setting up the climatic moments of his books. But too often the climax itself, the ending, the culmination of all that build-up feels rushed, or anti-climatic in its brevity. One way of looking at A Memory of Light is that we’ve now had 13 books of build-up and now we are at the payoff, when all that has been built up comes crashing down. Is it rushed? Yes, but not to the same degree as others. A Memory of Light is easily the most action-packed book in the series. In a series where it can be easily argued that there are far too many wasted words, A Memory of Light has very few, if any – even as it clocks in at 909 pages. All of the necessary pieces are here, though I would have been a bit happier with some more.

 

Jordan spent a lot of time on side-plots, many will argue way too much time was spent on them. Unfortunately, many of these were sidelined in this final book. It’s not that I crave the resolution to each of these – I realize that not everything should be resolved. However, I would have liked at least one sort of concluding point of view from each character we had become invested in during the series, even the relatively minor characters. For example – something from some the few remaining Black Ajah hunters, or the factions within the Aes Sedai rebels that we endlessly followed. Etc. There were also several confrontations that have been set up for quite a while that never materialized. I realize that this would have been nearly impossible to fit into the book, but I can still wish for it and consider it missed opportunities as often an extra line or paragraph would have been enough to satisfy me (but certainly not all). Of course, where we do get this sort of revelation (and there are several), it is sort of jarring to the flow of the story (see the discussion on ‘Brandonisms’ above). So, perhaps the balance is just right and it’s simply the invested fan in me always wanting more.

 

However, my above criticisms are really very minor when compared to my overall feeling toward the book. Sanderson did a great job finishing things up. Jordan’s final scene, which I understand is printed pretty well exactly as Jordan first wrote it, is a perfect ending to the series. Though admittedly, if parsed out of context it won’t hold up well. And the main character ARCs – Rand, Egwene, Mat and Perrin all hold up well. They finish appropriately and honestly, even with a bit of teasing. But be warned, there isn’t the happy Harry Potter Epilogue where we get a view in the future of how perfectly things are in the future. The Wheel turns, an age ends, and the story with it – but the world is not finished, more events will happen and many of our beloved characters have a future that we will not see.

 

The phrase ‘laughter and tears’ comes up often in the series, and laughter and tears sums up my reaction to the book as well. After playing such a big part in my life for nearly 20 years, I have a lot invested. Seeing the end game play out was and continues to be an emotional experience for me. Yes, I did laugh at Mat and Gual and Rand and Vanin and Talmanes. They provide some good times. And yes, I shed tears at Mat and Rand and Perrin and Egwene and Loial and Lan and many others. They were tears of joy and sorrow, but always with a bit of celebration. Because even the sorrow is celebratory in this book. In case you haven’t guessed it, I will reveal the biggest spoiler possible (one that Jordan revealed years ago, so it’s not really anything surprising): the good guys win. The Light is victorious. There are deaths. The fight didn’t go exactly as planned for any of the good guys. But they win. And in that victory come even more tears of joy and sorrow.

 

Throughout the series, Jordan has explored many themes – be it a take on archetypes, myth and legend, communication, sacrifice, predestination, original sin, triumph over adversity, good versus evil, duality, etc. – there is one theme that dominates the final volume: letting go. Letting go of guilt, hate, anger, what one cannot control, certainty, prophesy, predestination, inevitability, etc. It’s been there since the beginning – the void, embracing saidar, seizing saidin – these are all examples of letting go in one way or another. But in A Memory of Light, the message is delivered in the form of father figures. Two of the three central characters we have been following since the beginning learn this lesson as it’s taught to them by the father figures in their lives. It’s very well done and will provide a few tears for the fans out there, though in all honesty, I would have preferred the inclusion of a more concrete example with one of the female characters to balance out the wheel.

 

So, the wheel has turned. An ending has come. Jordan may have left the world prematurely, but his vision lived on through his widow, Harriet, Sanderson and the rest of Team Jordan. A part of my life feels complete. The same part of my life feels a bit lost as it is now a thing of the past. It brought me laughter and tears and years of good memories. I will listen to the tale again. I will discuss it more. And it will fade away. But the ending was as it should be. I’m torn with half wanting more – the promised prequels, the outriggers, more short stories, etc. and the other half knowing that it ended as it should. Fans have craved and dreaded the moment of the end. They will love it and they will mourn for it. It will be celebrated. The Wheel of Time is a classic epic fantasy and it will be remembered. And now fans everywhere will experience the end and know that it is good.  

 

“There are no endings, and never will be endings, to the turning of the Wheel of Time.”

 

 “But it was an ending”

 

Thank you Robert Jordan, Brandon Sanderson, Team Jordan and all of the fans I’ve had the pleasure of interacting with over the years. It is an ending…but it’s a beginning too.

EDIT: Thanks to the folks over at Macmillan Audio I have an audio sample from Chapter 3 to share with (no big spoilers). I love the audiobooks and have been using them as 're-reads' for years, so give it a shot.

 

 

Unfettered Anthology with New Wheel of Time Story (and others)

Unfettered edited by Shawn Speakman came about as a project to help Speakman pay off debts from a serious medical condition he has struggled with. Speakman is a bit of industry insider since he runs The Signed Page and many authors volunteered stories to help. Early inidcations had me excited so it was an anthology that I had my eye - good cause or not, it has a great lineup.

 

Now a full table of contents has been revealed that includes a few suprises. The biggest one that caught my mind is "River of Souls" by Robert Jordan and Brandon Sanderson. Clearly it's a Wheel of Time short story/novella or similar and Jason from Dragonmount tweeted it was related to A Memory of Light (Indiebound, Book Depository, Amazon) in some way. But right now any details are still haven't gone public. My guess is it's a short story set after events in A Memory of Light and the Wheel of Time series, but that's only a guess - I sure hope its not simply an excerpt (unlikely since the description of Unfettered calls them all original stories).

 

Anyway, I'm not more excited and have just pre-ordered my copy of Unfettered. You should do the same. And check out that table of contents - it's full of goodies that go well beyond Wheel of Time (there's Terry Brooks and Shannara, Patrick Rothfuss, Tad Williams, Daniel Abraham, Jacqueline Carey, and many more).

EDIT: The point of view for the Wheel of Time story is Demandred and it is a deleted scene(s) from A Memory of Light. Below is a quote from a Torchat event:

“River of Souls,” the forthcoming Wheel of Time short story featured in Unfettered is a collection of scenes that illustrate Demandred/Bao the Wyld’s story leading up to A Memory of Light.

Official Release Date for A Memory of Light, the final Wheel of Time book

Tor has announced an official release date for A Memory of Light by Robert Jordan and Brandon Sanderson, the final book in The Wheel of Time - it'll be on January 8, 2013. The news release is quoted below:

The first novel in Robert Jordan’s The Wheel of Time®, The Eye of the World, was released on January 15, 1990. Now more than twenty years later, Tor Books is thrilled to announce the official publication date for the final novel in the series.

A Memory of Light will release on January 8, 2013, in the final month of the Year of the Dragon.

A Memory of Light is one of the most important titles that Tor will ever publish. Many of the principal players have been involved with the series since its inception, including Publisher Tom Doherty and Editor Harriet McDougal, who worked with Robert Jordan on all of his books, and who is working with Brandon Sanderson, the writer finishing the series from Robert Jordan’s outline and his notes. This is a landmark publication not just for Tor but for millions of fans of the late Robert Jordan, who eagerly await the conclusion to his epic tale. Everyone involved with the project is committed to making this an ending to remember.

Over the next few seasons, Tor will continue to release new Wheel of Time material, including trade paperback editions of the early novels with new art, new graphic novel editions of the The Eye of the World comics, and other material related to A Memory of Light as we get closer to publication date.

As many of you know, I'm a huge fan of The Wheel of Time and it is essentially due to my love of the series that led me to starting this blog a bit over 6 years ago. So, it's no surprise that I am very excited about this book. Of course I'll also be sad to see a series that has had such an impact on me come to a close.

So, what are your thoughts? I see some of the early reactions to the news release are not positive at all due to the later-than-expected release date.

Jack o' the Shadows

I don't know if it's because I'm procrastinating overly much today, if I'm just in a dark mood or what, but this rendition of Jack o' the Shadows from Robert Jordan's Wheel of Time series is haunting me since I first heard it earlier. At first I didn't care for the muffled (I'm sure there's a better word for it but I can't think of it at the moment) voices that are a bit hard to understand, but it's grown on me and I now think that it's a great job. And I think the ebook cover featuring Mat is the perfect backdrop.

A song of death haunting me while I'm trying to meet a deadline isn't a good sign is it? I need more sleep.

Review: Towers of Midnight by Robert Jordan and Brandon Sanderson

First, if you are looking for an objective review about Towers of Midnight by Robert Jordan and Brandon Sanderson (Book Depository, Powell’s Books, Indiebound), stop now. I don’t believe that objectivity in reviews truly exists or that seeking it is particularly wise, but that is aside the point – the point is that I have been (arguably) a rabid fan of the Wheel of Time since the early 1990s (as I describe in detail elsewhere) and I won’t even pretend that I can approach a Wheel of Time book from any other perspective. But I will give my honest (if excited) thoughts on Towers of Midnight. Since this is the 13^th book of the series, spoilers for the previous 12 books are implied in this review and by discussing this book at all, some of what I say will be considered spoilers for fans. I do not reveal any major plot spoilers for the book; however I do discuss the direction of characters and even a few of the long-standing mysteries of the Wheel of Time series – though I do not reveal how those mysteries turn out. You have been warned.

My initial reaction to reading Towers of Midnight involved many incomprehensible noisy antics that roughly translate into an expression of awesomeness. Now keep in mind that I stayed up well past my bed time in the 3, sleep deprived days it took me to finish (I couldn’t completely abandon the responsibilities of real life) and during those late nights I consumed far more scotch than my typical nightcap. Wheel of Time fans are familiar with the significance of laughter and tears to the series and my prediction is that Wheel of Time fans will experience laughter and tears of their own while reading this. My own whiskey-lubricated tears came as Randzen (yes, I call him Randzen now, you will see why) reunites with his surrogate father after the harsh events near the close of The Gathering Storm (Book Depository, Powell’s Books, Indiebound, my review). It should be no surprise that laughter came from the direction of Mat, who really missed his calling as a scribe.

Many fans have noticed shifts in style with Brandon Sanderson writing The Gathering Storm and this becomes even more evident in Towers of Midnight. Sanderson simply isn’t as subtle of a writer as Jordan and Towers of Midnight is not a book that lends itself to subtly. Sanderson just doesn’t have the time or space here to write as Jordan would have. I’m not saying that Sanderson is writing in his own style – he is still attempting to be true to Jordan’s writing style, but it feels less true here than it did in The Gathering Storm. I think it’s probably best approached that these last three books penned by Brandon Sanderson really should be read as single volume within this series. The Gathering Storm was the first third – Sanderson established his version of Jordan’s style in this first third, for the second third he doesn’t try so hard at it, mostly he’s down to business and getting it done – and for the most part, he’s getting it done very well.

Jordan was the dealer, but it’s now Sanderson’s job to play out the hand. Sanderson plays a bit of a different game than Jordan probably would have, but the cards are same. Some will use Towers of Midnight to say that Sanderson plays the game much better than Jordan ever did, others will say that Jordan would have played superior to Sanderson. How the two games may have related really doesn’t matter anymore – focus on the game at hand. And Sanderson plays admirably with the cards he’s dealt and in my opinion comes out way ahead at the end.

The Last Battle is coming and it’s time for Sanderson to get the cards in alignment. This means a lot needs to be crammed into the book. At times things feel rushed – sometimes very rushed. Some scenes that have been building for several books, have a payoff that is a bit of a let-down. I get the sense that Sanderson really had to slash many of the plotlines he wanted to address, ultimately giving us only the minimum.  It’s a shame, if understandable – the only thing worse would have been this book dragging out.

One way Sanderson attempts to mollify this is through the use of multiple points of view in each chapter. This technique is not new to Wheel of Time books, but is much more prevalent in Towers of Midnight than in previous books. In the past the use of multiple points of view has been mostly limited to people within the same plot line, in Towers of Midnight Sanderson often uses another point of view within a chapter to shift to another plot-line that is more thematically related rather than plot-related. In the end I felt this technique was only partially successful.

Many fans have debated just how ‘right’ Sanderson gets the voices of the characters of the Wheel of Time. For The Gathering Storm, many Mat felt a bit off – even me. In Towers of Midnight Sanderson seemingly deals with many more characters and early discussions often hint at more off-ness in Sanderson’s characterizations. In retrospect and considering my recent re-read of the series, I feel that Sanderson actually did quite well with Mat. Mat’s character has been growing in this direction for a while now and I think Sanderson is taking a bit too much blame for shifts in Mat’s character that Jordan planned and began to execute. This is only enhanced by the mind-view fans often hold of Mat as the best Wheel of Time character, where they selectively remember aspects of Mat’s character. Anyway, I think readers will be much happier with Mat in Towers of Midnight. Other characters may be a bit more debatable – Morgase, Aviendha, Elayne, etc. I’ll argue that people hated those points of view when Jordan wrote them and in that respect nothing has changed. Not every character can be a favorite, nor should they be.

The Gathering Storm was undeniably Rand and Egwene’s book, with only token appearances (if any) from other characters. Towers of Midnight belongs to Perrin and Mat, and in my opinion more to Perrin. Yes, we see a fair amount from Rand and Egwene and we get caught up with Elayne and some of the minor characters. Many long anticipated scenes happen, and quite a few don’t. And just to make the fans cringe a bit – Towers of Midnight has a lot in common with Crossroads of Twilight – much of the book is spent catching up events that occurred at the end of the previous book.

As I said before, no real spoilers will be revealed, but for the next couple of paragraphs I go into a bit more detail and you may want to skip to the last paragraph.

As I said above, this book largely belongs to Perrin. Yes Mat plays a big role as cover flap reveals, but in many ways it’s a predictable role. Now Perrin has been a stagnant and rather annoying character for quite some time now (sure this is debatable, but also true for many Wheel of Time fans). So I must say, thank you Brandon Sanderson for making Perrin interesting again. For the first parts of Towers of Midnight Perrin remains much the same, but he finally grows. Of the three ta’veren, Perrin has often seemed to lesser in spite of many remarkable accomplishments and his ability to commune with wolves. That feeling of lesser ends, fans rejoice.

Another interesting shift is that we get signs of Aviendha actually having significance. Min started showing sings in The Gathering Storm that she has a role to play beyond her visions. Elayne has always had a clear role as an Aes Sedai and the now Queen of Andor. But at least in my opinion, Aviendha hasn’t done much in a long while. In many ways what she does in Towers of Midnight is small, in other ways it may be the most significant thing that happens in this book. Her scenes were among the most well-written and touching in the entire book, they also felt out of place and pace with the rest of the book and were among the scenes I enjoyed the least.

What we do see of Rand and Egwene is good, but in some ways a bit of let down. After Rand’s epiphany at the close of The Gathering Storm he is changed, he is now Randzen – I add the zen to the end of his name because is distinctly Zen-like, a Buddha, a Jesus, a true Savior to be. He doesn’t feel like the Rand we’ve known – I really came to dislike reading about Rand because of how dark he became, and now that he has at least seemingly gotten past that, it’s a big shift. I’m honestly still a bit undecided on how I feel about it. Randzen may be just a bit too perfect, a bit of a ‘Gary Stu’.

Which brings me to Egwene – Egwene’s plotline in The Gathering Storm was the one I enjoyed most. And in my recent re-read of the series I’ve found myself really enjoying her maneuverings since becoming Amyrlin. In Towers of Midnight, a confrontation that many have been anticipating does occur. Egwene predictably come out ahead, and I think many will say that she is a bit too much of a Mary Sue in it (and they may be right). Egwene’s plotline may have been damaged most by the hectic pace of this book – that and the presence of Gawyn. Thankfully, Gawyn too seems to improve, but I could still do with less of him.

A few other things occur that I just have to mention. The real hard core fans all know that who killed Asmodean has been a mystery obsessed over since the 1990s. Countless theories have been written (including a few by me) and questioners have long tried to pry the information out Robert Jordan while he was still with us and now Brandon Sanderson and other Team Jordan members. Well, the reveal occurs in this book – we now know who killed Asmodean, though the exact circumstances were not described in detail. I enjoyed the reveal – it was subtle and left plenty of wiggle room, but the glossary in no uncertain terms spells out who killed Asmodean, or did it? I think the most stubborn of fans may continue to debate (but I’m looking forward to saying ‘I told you so’ to a few individuals out there).

One of the more amusing aspects of Jordan’s writings over the years has been his inclusion of apparent euphemisms in the Wheel of Time world, often as the name of inns. They sound suggestive and there have been plenty of instances of them being discussed in detail. In Towers of Midnight the readers actually get to see one of these euphemisms in action – easing the badger. Who does such a thing? Is it literal or figurative? What is the story? I’ll let you all find out for yourselves. For me, I laughed and rolled my eyes at the same time.

In summary, I really enjoyed Towers of Midnight as I imagine most fans will. A lot happens, many theories die an agonizing death and many play out pretty well as anticipated. What may be a bit more unexpected are the new things we see – the end is nigh, but there is a lot left to happen. Some characters people want to see aren’t to be found, some resolutions we are begging for still remain, but this is a book of action. There are issues, and it certainly isn’t the thematically coherent volume that The Gathering Storm was. However, it is a book to bring laughter and tears to legions of fans. The biggest tears of all because of the ending – no, not that, but because this book basically ends grasping to the edge of a cliff. The resolutions we get are great, but I can’t help but beg to know what’s going to happen next – bring on A Memory of Light. 8/10

Related Posts: Review of The Gathering Storm, My Evening With Brandon Sanderson