George R.R. Martin Answers Questions Five

Well, he hardly needs an introduction – George R.R. Martin is a best selling author who has won most of the SFF awards out there at some time or another throughout his long career. He has become most well known for his epic fantasy series A Song of Ice and Fire and his rabid fans eagerly await the arrival the next book in the series – A Dance with Dragons. The newest book in his bibliography is Hunter’s Run, a collaboration with Gardner Dozois and Daniel Abraham that was expanded from the novella Shadow Twin (my review).

I am very pleased that GRRM has taken the time to answer Questions Five.

As a resident of Santa Fe, I imagine you have an opinion on a uniquely New Mexican issue – do you prefer red, green, or Christmas chili? Why?

GRRM: Xmas, of course. Red and green both have their own unique flavors, so why not get both? (“Red or green” is the Official New Mexico State Question.)


If someone was forced to make a decision between reading Hunter’s Run and watching a Cowboys vs. Giants football game, what would you advise?

GRRM: Xmas! I mean, why not get both? That’s why god invented (1) bookmarks, and (2) TIVO.


Please describe one reason Hunter’s Run would inspire a reader to strip naked and run screaming into the forest?

GRRM: Uh… to get away from the cupacabra? Actually, trying to read while running naked through the forest is dangerous.


What other peculiar qualities of Hunter’s Run should readers be aware of?

GRRM: We’ve been working on it since 1977. So it’s bound to be really good.


Why should Hunter’s Run be the next book that everyone reads?

GRRM: Dreamsongs won’t be out until this fall, Inside Straight not until January, and A Dance with Dragons… uh… later. Hunter’s Run will help with the wait.

Review: The New Space Opera edited by Gardner Dozois and Jonathan Strahan

“science fiction is for real, space opera is for fun”
-Brian Aldiss

The term ‘space opera’ dates to the early 1940s when it was coined by Tucker Wilson to describe “the hacky, grinding, stinking, outworn space-ship yarn”. Through time it has evolved past its derogatory roots to be a general descriptor of wide-ranging adventures in space, often lauding human conquest of the universe. In the 1970s, authors began to reinvent and reinvigorate this aging form and the ‘new space opera’ evolved in concert with cyberpunk, trending toward darker topics, stronger characterization, and the use of new technologigies and infusion of hard sci-fi elements and scientific rigour, while distancing itself from the triumph of mankind style of old. The New Space Opera collects original short stories and novellas by some of the most prolific writers of the new space opera tradition of the past 30 years. Authors include Gwyneth Jones, Ian McDonald, Robert Reed, Paul J. McAuley, Greg Egan, Kage Baker, Peter F. Hamilton, Ken MacLeod, Tony Daniel, James Patrick Kelly, Alastair Reynolds, Mary Rosenblum, Stephen Baxter, Robert Sivlerburg, Gregory Benford, Walter Jon Williams, Nancy Kress, and Dan Simmons.

I feel the need to provide some context for the rest of the review – space opera, new and old, is not a sub-genre that I have much experience with. This doesn’t come from any dislike, just the limits of time and scope on my reading for the past 20 years. Another area of limited exposure is shorter fiction – yes I’ve read and liked quite a bit of it, but the novel is the form I fell for and spend the most time with. I feel the need to provide this context because my over all impression of The New Space Opera sums up best with ‘meh’ and I believe that this is equally a result of my reading background as it is with the stories themselves.

As with most anthology collections, The New Space Opera has both winners and losers. Unremarkable and forgettable are the terms that jump into my mind regarding most of the contents – not one story kept me up thinking late into the night, and very few left any lasting impression. At the same time, I wouldn’t call any stories bad. It could be argued that space opera (new and old) is more often aimed at the entertainment/escapist side of fiction, but then the most entertaining stories can get my pulse racing and stick with me will into the night and beyond.

Another contributing factor is the editorial introduction to each story. In other anthologies these jewels are often as good (or better) than the stories that follow – not so with The New Space Opera. These introductions offer little more than an extended bibliography and leave the impression that the editors don’t have their fingers on the current pulse of the genre, but remain in somewhere in the past.

As I indicated above, there are a few entries that stand above, justifying the time spent reading this book – these are the stories I’ll highlight in more detail. Those stories not mentioned were lost in the mediocrity of the majority.

The first six offerings presented little of great interest to me. ”Maelstrom” by Kage Baker presents a fun look at an eccentric’s goal to bring the art of the theatre to a colonial Mars, but was too jumpy and uncertain in its execution to ultimately satisfy. This sets up the seventh story, “Blessed by an Angel” by Peter F. Hamilton, to shine as the most skilled presentation to this point. We see parallel story arcs where a young woman in a free and fun society has her personal rights violated by a pair of shadowy agents next to the story of an angel spreading his genes in an effort to help humanity evolve to a more enlightened place. The stories meet and the angelic life seems much less angelic, the shadowy agent a little less bad, and the reader is left to wonder if either side has it right.

Ken MacLeod’s “Who’s Afraid of Wolf359” and “Dividing the Sustain” by James Patrick Kelly weave heavy doses of dead-pan humor, with MacLeod shining a bit brighter with his banter between a long-lived human and a spaceship as they encounter an isolated human population. Gregory Benford’s “The Worm Turns” isn’t as successful at the witty banter between human and machine in his first contact story of wormhole wrestling. Though as far humor is concerned, “Send them Flowers” by Walter Jon Williams rules with its short-on-cash rogue-ish captain and his Don Juan companion as they aim to stay one leap ahead of slighted lovers in an inter-dimensional ruckus. This story could have been written by Joss Whedon – thinking of which, isn’t it a shame that Whedon doesn’t write short (or long) fiction?

Robert Silverberg reinvents Arabian Nights in “The Emperor and the Maula” with a fairy tale for the stars and a human race that has found nirvana, only to have it annexed and enslaved by an ever expanding galactic empire.

My favorite installments seem to be the stories that get a bit more ‘political’ and pointed in their aim. “Art of War” by Nancy Kress features the estranged son of a heroic military leader in a time of war between humans and an alien race. Through the recovery of looted art he discovers the key to their enemy’s war, an answer beyond the willingness of the general to accept. The inflexibility of those in power proves deadly in the end. “Minla’s Flowers” by Alastair Reynolds left the longest impression on me in a story of unintended consequences where a man called Merlin chooses compassion against better judgment and helps a primitive human society rapidly evolve to avoid the upcoming unavoidable destruction of their planet. Power corrupts and humanity never seems to change.

Though it wasn’t my favorite, the strongest story is the last –“Muse of Fire” by Dan Simmons. As with much of his writing, “Muse of Fire” is heavily peppered with literary reference and Shakespeare in particular. A troop of players travels part of the galaxy to entertain the long enslaved human race – an unprecedented opportunity to perform for their masters arises. What Shakespearean play will save humanity – King Lear, Hamlet, Romeo and Juliet …?

For those that are fans of space opera, old and new, The New Space Opera is a collection you’ll enjoy, and for those that are seeking adventurous stories in fascinating settings afar, this is a collection you’ll enjoy. For me it is too much mediocrity surrounded by too few gems – but those gems just might be enough. 6/10

Shadow Twin by Gardner Dozois, George R.R. Martin, and Daniel Abraham

A three-way collaboration on a novella sounds like something that won’t work well, despite having big names like those involved in Shadow Twin. However, in this case, it works – not perfectly, but quite well.

Ramon is an independent prospector on a remote, earth-like planet that has recently been colonized by humans. Down on his luck, he sets out to score ‘the big one’ in the distant mountains to the north where little prospecting has been done. He discovers a hidden alien race that attacks and destroys his camp. Ramon escapes.

The aliens, needing to remain hidden, hunt for Ramon. In order to properly do so, they create a clone to do the tracking – classic ‘set a thief to catch a thief’ thinking. Cloned Ramon struggles with his identity, having all the memories of real Ramon, and grudgingly aids an alien companion, secretly hoping for escape.

The above synopsis does not do justice to the Shadow Twin, which is a powerful story. Ramon is not a likeable guy – he angry, violent, self-destructive, and abusive towards women. Yet, Ramon shows a clear love and even respect for the environment, struggling with the consequences of discovering mineral wealth. The superb characterization actually allows for sympathy for this bastard of a man early in the story. It is also very refreshing to have a protagonist that is of a Latino descent.

The early experiences of cloned Ramon hit on some very primal fears of humanity – claustrophobia, injury, nakedness, despair; you fear for Ramon. His later struggles with self, especially as he is confronted with his real self, is powerfully written. Ramon sees what he is, what he is becoming, and strives to for change – but at what cost.

My only real complaints about the story are related to wanting more. The aliens are intriguing and utterly alien in thought and action, yet work as little more than a literary device. I want more – Martin asserts in the Afterward that Shadow Twin should be a full-length novel; I agree wholeheartedly. Here’s to hoping.

One of the most interesting aspects of Subterranean Press Limited Edition of Shadow Twin is the Afterward I mention above – a conversational back-and-forth between Duzois, Martin, and Abraham. Dozois and Martin reminisce about the origins of the novella in the late 1970s, when Dozois originally conceived the concept. Abraham occasionally quips about how old he wasn’t at the time. We see its resurrection after 20 years in limbo and here of the contrasts between the modernist style of Abraham and the old-school styles of Martin and Dozois. The collaboration comes together seamlessly, with different styles and voices blended.

On my 10-point rating scale, Shadow Twin rates a solid 8. I enjoyed this novella a lot and recommend it to all fans of SFF, not just the Martin fanboys (and fangirls). The only thing lacking is more – and there just might be hope for that.